British Choral Works

Record and Artist Details

Composer or Director: Ralph Vaughan Williams, Herbert Howells

Label: Hyperion

Media Format: Cassette

Media Runtime: 0

Mastering:

DDD

Catalogue Number: KA66076

Tracks:

Composition Artist Credit
Requiem Herbert Howells, Composer
Corydon Singers
Herbert Howells, Composer
Janet Coxwell, Soprano
Jonathan Best, Bass
Matthew Best, Conductor
Michael Chance, Alto
Philip Salmon, Tenor
Take him, earth, for cherishing Herbert Howells, Composer
Corydon Singers
Herbert Howells, Composer
Matthew Best, Conductor
Mass Ralph Vaughan Williams, Composer
Corydon Singers
Jonathan Best, Bass
Mary Seers, Soprano
Matthew Best, Conductor
Michael Chance, Alto
Philip Salmon, Tenor
Ralph Vaughan Williams, Composer
Te Deum Ralph Vaughan Williams, Composer
Corydon Singers
Matthew Best, Conductor
Ralph Vaughan Williams, Composer

Composer or Director: Ralph Vaughan Williams, Herbert Howells

Genre:

Vocal

Label: Hyperion

Media Format: CD or Download

Media Runtime: 0

Mastering:

DDD

Catalogue Number: CDA66076

Tracks:

Composition Artist Credit
Requiem Herbert Howells, Composer
Corydon Singers
Herbert Howells, Composer
Janet Coxwell, Soprano
Jonathan Best, Bass
Matthew Best, Conductor
Michael Chance, Alto
Philip Salmon, Tenor
Take him, earth, for cherishing Herbert Howells, Composer
Corydon Singers
Herbert Howells, Composer
Matthew Best, Conductor
Mass Ralph Vaughan Williams, Composer
Corydon Singers
Jonathan Best, Bass
Mary Seers, Soprano
Matthew Best, Conductor
Michael Chance, Alto
Philip Salmon, Tenor
Ralph Vaughan Williams, Composer
Te Deum Ralph Vaughan Williams, Composer
Corydon Singers
Matthew Best, Conductor
Ralph Vaughan Williams, Composer
Michael Oliver dealt most kindly with this release and it has transferred to CD very successfully. The original recording, made in St Alban's Church, Holborn, in February 1983, was of the analogue persuasion but any clue to that is lost in the pervading and most appropriately spacious atmosphere of this church. Even so, there is great clarity from the soloists and adequate definition from this skilled group of singers. Thomas Trotter does his best with the rather pedestrian organ in the Te Deum but it really isn't up to it. Overall it is the haunting sadness expressed in the Requiem which stays with you long after the music has ceased.'

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