Caresana (L') Adoratione de' Maggi

Obscure but engaging cantatas by a Venetian composer in Naples

Record and Artist Details

Composer or Director: Cristofaro Caresana, Pietro Andrea Ziani

Genre:

Vocal

Label: Glossa

Media Format: CD or Download

Media Runtime: 69

Mastering:

Stereo

Catalogue Number: GCD922601

Tracks:

Composition Artist Credit
(La) Veglia Cristofaro Caresana, Composer
(I) Turchini
Antonio Florio, Conductor
Cristofaro Caresana, Composer
Demonio, Angelo e tre Pastori Cristofaro Caresana, Composer
(I) Turchini
Antonio Florio, Conductor
Cristofaro Caresana, Composer
Sonata No 17 Pietro Andrea Ziani, Composer
(I) Turchini
Antonio Florio, Conductor
Pietro Andrea Ziani, Composer
Sembri stella felice Cristofaro Caresana, Composer
(I) Turchini
Antonio Florio, Conductor
Cristofaro Caresana, Composer
Sonata No. 15 Pietro Andrea Ziani, Composer
(I) Turchini
Antonio Florio, Conductor
Pietro Andrea Ziani, Composer
(L')Adoratione de' Maggi Cristofaro Caresana, Composer
(I) Turchini
Antonio Florio, Conductor
Cristofaro Caresana, Composer
Venetian tenor Cristoforo Caresana (c1640-1709) performed in several operas by Cavalli but in 1658 he moved to Naples to become a singer, organist and composer at the vice-regal chapel and the local Oratorio dei Girolamini (to whom he bequeathed his music library). Dinko Fabris’s essay asserts that Caresana was one of the finest and most important composers of sacred music in late-17th-century Naples in the years before the Sicilian maestro Alessandro Scarlatti arrived in 1683: he was a close colleague of Provenzale, frequent provider of music to the Tesoro di San Gennaro (a prestigious chapel in the city’s cathedral), and a respected teacher at the Conservatorio di Sant’Onofri.

Neapolitan specialists I Turchini and Antonio Florio have contributed substantially to reviving Caresana’s reputation. On this occasion they present four of the composer’s sacred works interleaved by melancholic sonatas by his teacher Ziani. Sembri stella felice, Partenope leggiadra (written for one of the several feast-days of San Gennaro in 1703) is sung with impressive brilliance and feeling by Maria Grazia Schiavo. La Veglia (1674) features robust accompaniments from a percussionist; perhaps Florio wished to reinforce Caresana’s use of dance-forms and lend it a Florentine festive atmosphere, but the most vigorous clattering does not serve the music ideally. However, the musicianship of I Turchini’s string players and singers is beguiling; a beautiful sleep aria (“Dormi o ninno”) is sung eloquently by Giuseppe Naviglio. The short oratorio Demonio, Angelo e tre pastori (1676) is a dramatically engaging argument between five shepherds outside Bethlehem, two of whom happen to be the resentful Lucifer and a serene Angel in disguise. L’Adoratione de’ Maggi (also 1676) colourfully depicts a similar dramatic scene between two happy soprano angels, a complaining bass Devil and three middle-voiced Magi worshipping the infant Christ. This is another fascinating contribution to Florio and I Turchini’s admirable discography of obscure Neapolitan gems.

Explore the world’s largest classical music catalogue on Apple Music Classical.

Included with an Apple Music subscription. Download now.

Gramophone Print

  • Print Edition

From £6.87 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Events & Offers

From £9.20 / month

Subscribe

Gramophone Reviews

  • Reviews Database

From £6.87 / month

Subscribe

Gramophone Digital Edition

  • Digital Edition
  • Digital Archive

From £6.87 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.