Classic Kennedy
Music's trendiest fiddler in casual mode, sometimes cheeky, sometimes serene, and with a composition of his own thrown in for good measure
View record and artist detailsRecord and Artist Details
Composer or Director: William Kroll, Mitchell, Antonio Vivaldi, Traditional, Vittorio Monti, Johann Sebastian Bach, Jules (Emile Frédéric) Massenet, George Frideric Handel, Erik Satie, George Gershwin, Johannes Brahms, Claude Debussy, Fryderyk Chopin, Charles-François Gounod, Pablo (Martín Melatón) Sarasate (y Navascuéz), Kennedy, Nikolay Rimsky-Korsakov
Label: EMI
Magazine Review Date: 12/1999
Media Format: Mini Disc
Media Runtime: 0
Mastering:
DDD
Catalogue Number: MD5 56890-8
Tracks:
| Composition | Artist Credit |
|---|---|
| (12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione' |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer |
| Thaïs, Movement: Méditation |
Jules (Emile Frédéric) Massenet, Composer
Kennedy, Violin English Chamber Orchestra Jules (Emile Frédéric) Massenet, Composer |
| Scarborough Fair |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| (21) Hungarian Dances, Movement: G minor (orch Schmeling) |
Johannes Brahms, Composer
Kennedy, Violin English Chamber Orchestra Johannes Brahms, Composer |
| Nocturnes, Movement: No. 20 in C sharp minor, Op. posth |
Fryderyk Chopin, Composer
Kennedy, Violin English Chamber Orchestra Fryderyk Chopin, Composer |
| (3) Gymnopédies, Movement: No. 1, Lent et douloureux |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Gymnopédies, Movement: No. 2, Lent et triste |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Preludes, Movement: No. 1 in B flat |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (3) Preludes, Movement: No. 2 in C sharp minor |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (4) Orchestral Suites, Movement: No. 3 in D, BWV1068 (2 oboes, 3 trumpets, strings |
Johann Sebastian Bach, Composer
Kennedy, Violin English Chamber Orchestra Johann Sebastian Bach, Composer |
| Danny Boy |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| Csárdás |
Vittorio Monti, Composer
Kennedy, Violin English Chamber Orchestra Vittorio Monti, Composer |
| Solomon, Movement: ~ |
George Frideric Handel, Composer
Kennedy, Violin English Chamber Orchestra George Frideric Handel, Composer |
| Ave Maria |
Charles-François Gounod, Composer
Kennedy, Violin Charles-François Gounod, Composer English Chamber Orchestra |
| (24) Préludes, Movement: La fille aux cheveux de lin |
Claude Debussy, Composer
Kennedy, Violin Claude Debussy, Composer English Chamber Orchestra |
| (The) Tale of Tsar Saltan, Movement: Flight of the bumble-bee |
Nikolay Rimsky-Korsakov, Composer
Kennedy, Violin English Chamber Orchestra Nikolay Rimsky-Korsakov, Composer |
| Banjo and Fiddle |
William Kroll, Composer
Kennedy, Violin English Chamber Orchestra William Kroll, Composer |
| Zigeunerweisen |
Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer
Kennedy, Violin English Chamber Orchestra Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer |
| Going for a song |
Mitchell, Composer
Kennedy, Violin Mitchell, Composer English Chamber Orchestra |
| Melody in the wind |
Kennedy, Composer
Kennedy, Composer Kennedy, Violin English Chamber Orchestra |
Composer or Director: William Kroll, Mitchell, Antonio Vivaldi, Traditional, Vittorio Monti, Johann Sebastian Bach, Jules (Emile Frédéric) Massenet, George Frideric Handel, Erik Satie, George Gershwin, Johannes Brahms, Claude Debussy, Fryderyk Chopin, Charles-François Gounod, Pablo (Martín Melatón) Sarasate (y Navascuéz), Kennedy, Nikolay Rimsky-Korsakov
Label: EMI
Magazine Review Date: 12/1999
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL5 56890-4
Tracks:
| Composition | Artist Credit |
|---|---|
| (12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione' |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer |
| Thaïs, Movement: Méditation |
Jules (Emile Frédéric) Massenet, Composer
Kennedy, Violin English Chamber Orchestra Jules (Emile Frédéric) Massenet, Composer |
| Scarborough Fair |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| (21) Hungarian Dances, Movement: G minor (orch Schmeling) |
Johannes Brahms, Composer
Kennedy, Violin English Chamber Orchestra Johannes Brahms, Composer |
| Nocturnes, Movement: No. 20 in C sharp minor, Op. posth |
Fryderyk Chopin, Composer
Kennedy, Violin English Chamber Orchestra Fryderyk Chopin, Composer |
| (3) Gymnopédies, Movement: No. 1, Lent et douloureux |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Gymnopédies, Movement: No. 2, Lent et triste |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Preludes, Movement: No. 1 in B flat |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (3) Preludes, Movement: No. 2 in C sharp minor |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (4) Orchestral Suites, Movement: No. 3 in D, BWV1068 (2 oboes, 3 trumpets, strings |
Johann Sebastian Bach, Composer
Kennedy, Violin English Chamber Orchestra Johann Sebastian Bach, Composer |
| Danny Boy |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| Csárdás |
Vittorio Monti, Composer
Kennedy, Violin English Chamber Orchestra Vittorio Monti, Composer |
| Solomon, Movement: ~ |
George Frideric Handel, Composer
Kennedy, Violin English Chamber Orchestra George Frideric Handel, Composer |
| Ave Maria |
Charles-François Gounod, Composer
Kennedy, Violin Charles-François Gounod, Composer English Chamber Orchestra |
| (24) Préludes, Movement: La fille aux cheveux de lin |
Claude Debussy, Composer
Kennedy, Violin Claude Debussy, Composer English Chamber Orchestra |
| (The) Tale of Tsar Saltan, Movement: Flight of the bumble-bee |
Nikolay Rimsky-Korsakov, Composer
Kennedy, Violin English Chamber Orchestra Nikolay Rimsky-Korsakov, Composer |
| Banjo and Fiddle |
William Kroll, Composer
Kennedy, Violin English Chamber Orchestra William Kroll, Composer |
| Zigeunerweisen |
Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer
Kennedy, Violin English Chamber Orchestra Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer |
| Going for a song |
Mitchell, Composer
Kennedy, Violin Mitchell, Composer English Chamber Orchestra |
| Melody in the wind |
Kennedy, Composer
Kennedy, Composer Kennedy, Violin English Chamber Orchestra |
Composer or Director: William Kroll, Mitchell, Antonio Vivaldi, Traditional, Vittorio Monti, Johann Sebastian Bach, Jules (Emile Frédéric) Massenet, George Frideric Handel, Erik Satie, George Gershwin, Johannes Brahms, Claude Debussy, Fryderyk Chopin, Charles-François Gounod, Pablo (Martín Melatón) Sarasate (y Navascuéz), Kennedy, Nikolay Rimsky-Korsakov
Label: EMI
Magazine Review Date: 12/1999
Media Format: CD or Download
Media Runtime: 79
Mastering:
DDD
Catalogue Number: 556890-2
Tracks:
| Composition | Artist Credit |
|---|---|
| (12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione' |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer |
| Thaïs, Movement: Méditation |
Jules (Emile Frédéric) Massenet, Composer
Kennedy, Violin English Chamber Orchestra Jules (Emile Frédéric) Massenet, Composer |
| Scarborough Fair |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| (21) Hungarian Dances, Movement: G minor (orch Schmeling) |
Johannes Brahms, Composer
Kennedy, Violin English Chamber Orchestra Johannes Brahms, Composer |
| Nocturnes, Movement: No. 20 in C sharp minor, Op. posth |
Fryderyk Chopin, Composer
Kennedy, Violin English Chamber Orchestra Fryderyk Chopin, Composer |
| (3) Gymnopédies, Movement: No. 1, Lent et douloureux |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Gymnopédies, Movement: No. 2, Lent et triste |
Erik Satie, Composer
Kennedy, Violin English Chamber Orchestra Erik Satie, Composer |
| (3) Preludes, Movement: No. 1 in B flat |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (3) Preludes, Movement: No. 2 in C sharp minor |
George Gershwin, Composer
Kennedy, Violin English Chamber Orchestra George Gershwin, Composer |
| (4) Orchestral Suites, Movement: No. 3 in D, BWV1068 (2 oboes, 3 trumpets, strings |
Johann Sebastian Bach, Composer
Kennedy, Violin English Chamber Orchestra Johann Sebastian Bach, Composer |
| Danny Boy |
Traditional, Composer
Kennedy, Violin English Chamber Orchestra Traditional, Composer |
| Csárdás |
Vittorio Monti, Composer
Kennedy, Violin English Chamber Orchestra Vittorio Monti, Composer |
| Solomon, Movement: ~ |
George Frideric Handel, Composer
Kennedy, Violin English Chamber Orchestra George Frideric Handel, Composer |
| Ave Maria |
Charles-François Gounod, Composer
Kennedy, Violin Charles-François Gounod, Composer English Chamber Orchestra |
| (24) Préludes, Movement: La fille aux cheveux de lin |
Claude Debussy, Composer
Kennedy, Violin Claude Debussy, Composer English Chamber Orchestra |
| (The) Tale of Tsar Saltan, Movement: Flight of the bumble-bee |
Nikolay Rimsky-Korsakov, Composer
Kennedy, Violin English Chamber Orchestra Nikolay Rimsky-Korsakov, Composer |
| Banjo and Fiddle |
William Kroll, Composer
Kennedy, Violin English Chamber Orchestra William Kroll, Composer |
| Zigeunerweisen |
Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer
Kennedy, Violin English Chamber Orchestra Pablo (Martín Melatón) Sarasate (y Navascuéz), Composer |
| Going for a song |
Mitchell, Composer
Kennedy, Violin Mitchell, Composer English Chamber Orchestra |
| Melody in the wind |
Kennedy, Composer
Kennedy, Violin Kennedy, Composer English Chamber Orchestra |
Author: Rob Cowan
Kennedy is a people's violinist to contrast with say, Heifetz, or Kreisler or David Oistrakh, all of whom were 'violinists' violinists', subtle practitioners of the bow who spent aeons perfecting the tiniest inflexional gesture. Kennedy's Danny Boy is unruffled and fresh-faced; Kreisler's (known as the Londonderry Air) carries with it a lifetime's worth of smiling and sighing. When Heifetz plays Zigeunerweisen or a Gershwin Prelude, he crafts every phrase with maximum expressive intensity; Kennedy is both gipsy and jazzer, freely improvisational (or so it seems), casual and cheeky.
Bach's 'Air' is heavily embellished and Monti's once-ubiquitous Csardas employs a cimbalon (Kennedy imaginatively defies tradition by playing the weepy central section pianissimo). The Satie pieces are appropriately 'cool', the Bach/Gounod rather sickly-sweet and Debussy's 'Girl with the flaxen hair', warm and yielding. Faster pieces like Brahms's Fifth Hungarian Dance, Rimsky-Korsakov'sBumble-bee, Kroll's Banjo and Fiddle and the closing 'friss' of Zigeunerweisen are more lustily energetic than especially light or agile.
Viewed overall, 'Classic Kennedy' is more a designer musical backdrop than a virtuoso fiddle recital in the traditional sense, as Scarborough Fair, Urge for Going and Kennedy's own Melody in the wind (all of them touched with 'big screen' resonances) tend to confirm.
Kennedy knows what he's doing and does it well (though that this sort of thing should be called 'Classic' tends to tell us where he's at), but for me the whole production is rather too wedded to the 'MOR', 'Easy Listening', Soft Jazz axis. I like my violin recitals to lunge for the jugular, seduce me with musicianship, finesse and passion rather than engulf me in smoochy arrangements - though, to be fair, some old fiddle-music broadcasts had plenty of those, too (especially in America). Handel's 'Arrival of the Queen of Sheba' marks the half-way point, but without any contribution from the soloist.'
Bach's 'Air' is heavily embellished and Monti's once-ubiquitous Csardas employs a cimbalon (Kennedy imaginatively defies tradition by playing the weepy central section pianissimo). The Satie pieces are appropriately 'cool', the Bach/Gounod rather sickly-sweet and Debussy's 'Girl with the flaxen hair', warm and yielding. Faster pieces like Brahms's Fifth Hungarian Dance, Rimsky-Korsakov's
Viewed overall, 'Classic Kennedy' is more a designer musical backdrop than a virtuoso fiddle recital in the traditional sense, as Scarborough Fair, Urge for Going and Kennedy's own Melody in the wind (all of them touched with 'big screen' resonances) tend to confirm.
Kennedy knows what he's doing and does it well (though that this sort of thing should be called 'Classic' tends to tell us where he's at), but for me the whole production is rather too wedded to the 'MOR', 'Easy Listening', Soft Jazz axis. I like my violin recitals to lunge for the jugular, seduce me with musicianship, finesse and passion rather than engulf me in smoochy arrangements - though, to be fair, some old fiddle-music broadcasts had plenty of those, too (especially in America). Handel's 'Arrival of the Queen of Sheba' marks the half-way point, but without any contribution from the soloist.'
Classic Kennedy
Classic Kennedy
Classic Kennedy
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