English 18th Century Violin Sonatas
View record and artist detailsRecord and Artist Details
Composer or Director: Thomas Linley II, Richard Jones, Felice De Giardini, Thomas (Augustine) Arne, Francesco (Xaverio) Geminiani, Pieter Hellendaal, Joseph Gibbs
Label: Hyperion
Magazine Review Date: 5/1993
Media Format: CD or Download
Media Runtime: 61
Mastering:
DDD
Catalogue Number: CDA66583
Tracks:
Composition | Artist Credit |
---|---|
(12) Sonatas for Violin and Continuo, Movement: A |
Francesco (Xaverio) Geminiani, Composer
Francesco (Xaverio) Geminiani, Composer Locatelli Trio |
Chamber Air's for a Violin (and Thorough Bass) |
Richard Jones, Composer
Locatelli Trio Richard Jones, Composer |
Solo |
Thomas (Augustine) Arne, Composer
Locatelli Trio Thomas (Augustine) Arne, Composer |
(8) Solos for a Violin with a Thorough Bass, Movement: D minor |
Joseph Gibbs, Composer
Joseph Gibbs, Composer Locatelli Trio |
(6) Sonatas |
Felice De Giardini, Composer
Felice De Giardini, Composer Locatelli Trio |
Hellendaal's Celebrated Rondo |
Pieter Hellendaal, Composer
Locatelli Trio Pieter Hellendaal, Composer |
Sonata |
Thomas Linley II, Composer
Locatelli Trio Thomas Linley II, Composer |
Author: Stanley Sadie
Gibbs was musically indebted to Geminiani, as were most English composers: his First Sonata, spiritedly done, is a brilliant piece, modelled closely on Corelli but abandoning some of the classical poise for the sake of greater elaboration. Richard Jones, a London violinist of whom almost nothing is known, provides an attractive if not specially individual chamber sonata; but the little Arne piece, really only half a sonata (just two movements), at once proclaims the class and distinction of its invention, which Wallfisch does not fail to convey.
The sonata by Giardini, who did much in the way of innovation when he arrived in England in 1750, is fairly ordinary until the last movement, an odd and entertaining folky dance, surprisingly rumbustious. The little piece by Hellendaal, a Dutchman who worked in Cambridge for many years, is quite charming; but I found the violin sonata by the younger Thomas Linley, Mozart's boyhood friend in Florence, disappointing, with slender musical content but ample, perhaps excessive, violinistics. Everything, however, is sympathetically and imaginatively played and the disc is one that curious readers should certainly try.
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