Like its predecessor, Gesualdo’s Second Book of Madrigals bears only hints of what was to follow in the composer’s output. For that reason, it hasn’t been recorded as much as the later volumes; and yet there have already been fine readings by two Dutch ensembles, Gesualdo Consort of Amsterdam (CPO, 2/06) and the Kassiopeia Quintet (Globe – as part of a complete set). Delitiæ Musicæ are also embarked on a complete series, and judging by the first two volumes, it will be as distinctive as their complete Monteverdi madrigal cycle. In reviewing the latter’s Sixth Book, I remarked on the challenges to balance and voicing posed by this ensemble’s use of countertenors on the top line or lines. My concerns there still seem warranted, particularly in view of the occasionally strained timbre of the top voice (try the second piece, “Ma se tale ha costei”); however, I’ve found myself warming to the overall approach, which is relaxed and unhurried. This, combined with the ensemble’s sound, securely underpinned by Walter Testolin’s bass, allows points of detail to tell (for example, final or sectional cadences) that might otherwise be skated over.

In some madrigals the voices are joined by a harpsichordist, who improvises links between sections in the etiolated manner reminiscent of Sergio Vartolo. Carmen Leoni is far more persuasive in Gesualdo’s only surviving keyboard piece, here done on a clavichord, which has been recorded at exactly the right dynamic level in relation to the voices elsewhere. No disrespect intended to a fine recording when I nominate this “bonus track” as my favourite of the disc. Roll on Book 3.