Gidon Kremer: New Seasons

Author: 
Pwyll ap Siôn
479 4817. Gidon Kremer: New SeasonsGidon Kremer: New Seasons

Gidon Kremer: New Seasons

  • Violin Concerto No 2, 'The American Four Seasons'
  • Estonian Lullaby
  • Ex contrario
  • Yumeji's Theme

Gidon Kremer is one of those rare musicians capable of illuminating a new work in such a way as to reveal its true greatness. Giya Kancheli’s Ex contrario is not exactly ‘new’ (it dates back to 2006) but Kremer and Kremerata Baltica’s excellent performance does much to suggest that Kancheli’s epic paean to pathos must rank as one of his greatest compositions. The title is appropriate – Ex contrario is contrary to itself and pretty much everything else. It steadfastly defies categorisation, pitting moments of tender lyricism against strident dissonances in a bittersweet struggle that never seems to achieve full closure.

Such diurnal mood swings reflect the ever-changing nature of the seasons, which in turn is meant to connect the four works included on this disc, but only Glass’s Second Violin Concerto directly refers to his theme. Kremer’s interpretation shines new light on Glass’s now-familiar patterns and stock formulas too. He approaches the opening prologue and subsequent solo interludes that separate the concerto’s four movements with perhaps less full-blooded intensity than Tim Fain (Orange Mountain, 7/15). Kremer’s playing is quite reserved and detached during these unaccompanied vignettes. This allows him to inject more drive and passion into the orchestral movements – the first and third played with dark drama, the elegiac third fragile and beautiful, while the final movement is dispatched with almost devilish insouciance, Kremerata Baltica just about holding on to the violinist’s coat-tails.

Arvo Pärt’s Estonian Lullaby, sung with wonderful restraint by the Girls’ Choir of the Vilnius Choir-Singing School, and Japanese film composer Shigeru Umebayashi’s pleasant ‘Yumeji’s Theme’ pass almost unnoticed next to Glass’s large-scale concerto and Kancheli’s postmodern ‘sinfonia concertante’. Kremer’s performances, as ever, bring the music to full bloom: truly a ‘musician for all seasons’.

Gramophone Subscriptions

From£64/year

Gramophone Print

Gramophone Print

no Digital Edition
no Digital Archive
no Reviews Database
no Events & Offers
From£64/year
Subscribe
From£64/year

Gramophone Reviews

Gramophone Reviews

no Print Edition
no Digital Edition
no Digital Archive
no Events & Offers
From£64/year
Subscribe
From£64/year

Gramophone Digital Edition

Gramophone Digital Edition

no Print Edition
no Reviews Database
no Events & Offers
From£64/year
Subscribe

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

© MA Business and Leisure Ltd. 2017