Granados/Falla/Mompou/Nin
View record and artist detailsRecord and Artist Details
Composer or Director: Manuel de Falla, Federico Mompou, Enrique Granados (y Campiña), Joaquín Nin (y Castellanos)
Label: Composers in Person
Magazine Review Date: 11/1993
Media Format: CD or Download
Media Runtime: 78
Mastering:
Mono
ADD
Catalogue Number: 754836-2
Tracks:
Composition | Artist Credit |
---|---|
(12) Danzas españolas, Movement: Valenciana (Calasera) |
Enrique Granados (y Campiña), Composer
Enrique Granados, Piano Enrique Granados (y Campiña), Composer |
(12) Danzas españolas, Movement: Melancolica (Danza triste) |
Enrique Granados (y Campiña), Composer
Enrique Granados, Piano Enrique Granados (y Campiña), Composer |
Goyescas, Movement: El pelele |
Enrique Granados (y Campiña), Composer
Enrique Granados, Piano Enrique Granados (y Campiña), Composer |
(7) Canciones populares españolas |
Manuel de Falla, Composer
Manuel de Falla, Piano Manuel de Falla, Composer Maria Barrientos, Soprano |
(El) Amor Brujo, Movement: Song of the Will o' the Wisp |
Manuel de Falla, Composer
Manuel de Falla, Composer Manuel de Falla, Piano Maria Barrientos, Soprano |
Soneto a Córdoba |
Manuel de Falla, Composer
Manuel de Falla, Composer Manuel de Falla, Piano Maria Barrientos, Soprano |
Concerto for Harpsichord and Five Instruments |
Manuel de Falla, Composer
Instrumental Ensemble Manuel de Falla, Harpsichord Manuel de Falla, Composer |
Scènes d'enfants, Movement: Jeunes filles au jardin |
Federico Mompou, Composer
Federico Mompou, Piano Federico Mompou, Composer |
Suburbis, Movement: El carrer, el guitarrista i el vell cavall |
Federico Mompou, Composer
Federico Mompou, Composer Federico Mompou, Piano |
Cançons i danses, Movement: Cançó: El testament d'Amelia; Dansa: Un pobre946) |
Federico Mompou, Composer
Federico Mompou, Piano Federico Mompou, Composer |
Cançons i danses, Movement: Cançó i dansa: original (1952) |
Federico Mompou, Composer
Federico Mompou, Piano Federico Mompou, Composer |
Cançons i danses, Movement: Cançó i dansa: original (1942) |
Federico Mompou, Composer
Federico Mompou, Composer Federico Mompou, Piano |
Paisajes, Movement: La fuente y la campana (1942) |
Federico Mompou, Composer
Federico Mompou, Piano Federico Mompou, Composer |
(20) Cantos populares españolas, Movement: Tonada de la niña perdida |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
(20) Cantos populares españolas, Movement: Montañesa |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
(20) Cantos populares españolas, Movement: Malagueña |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
(20) Cantos populares españolas, Movement: Granadina |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
(20) Cantos populares españolas, Movement: Canto andaluz |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
(20) Cantos populares españolas, Movement: Polo |
Joaquín Nin (y Castellanos), Composer
Joaquin Nin, Piano Joaquín Nin (y Castellanos), Composer Ninon Vallin, Soprano |
Author: Lionel Salter
The major part of the present disc is given over reasonably enough, to Falla, an indisputably greater composer than the others and a conspicuously first-class keyboard player (he had beaten Marshall in the 1904 piano competition that he had won at the same time as the opera competition for which he had written La vida breve). His playing of the Harpsichord Concerto is masterly, especially of the Lento, which, exemplifying his plea that it should be taken as slowly as humanly possible, is enormously atmospheric and evocative of great bells during the Corpus Christi procession; and the whole performance, with the harpsichord aussi sonore que possible and in the foreground, should be studied by all those later harpsichordists who have misguidedly recorded the work on tonally inappropriate eighteenth-century-type instruments. (A good deal of the composer's 'singing along' is audible.) Falla is equally outstanding in the seven folk-songs accompanying Maria Barrientos (a phenomenon who at the age of 12 gained her diplomas in both violin and piano and conducted a symphony of her own composition). These are revelatory interpretations, obviously sanctioned by Falla—the ''Cancion'' unusually slow, the skirls at the ends of phrases in the ''Jota'' detached each time. The forward placing of the singer underlines her pungency of tone, vocal coloration and admirably clear enunciation, but also, less happily, some flatness in ''Asturiana'' and ''Nana''; and in the austere declamation of the Soneto a Cordoba she sounds shrill.
Ninon Vallin's bright, clear voice is artlessly attractive in the folk-song settings of Nin, a virtuoso pianist who is evidently enjoying himself in the ''Malaguena''. In a totally different style, far more introspective and subtle, is the playing of Mompou. He takes the dance of the fifth Canco i dansa slower than usual, gives a fine lift to the sixth (dedicated to Rubinstein), and is utterly seductive in the sentimental tune of ''Jeunes filles au jardin'', played very slowly and freely. A few tape prints-through are a pity. (Incidentally, the piece from his Paisajes is called not La fuente y la campana (''the fountain and the countryside'') but … y la campana (''and the bell'').'
Explore the world’s largest classical music catalogue on Apple Music Classical.
Included with an Apple Music subscription. Download now.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £9.20 / month
SubscribeGramophone Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £11.45 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.