Grandi Motets for Five Voices
First impresssions: an enthralling, epic work that just may become a classic
View record and artist detailsRecord and Artist Details
Composer or Director: Anonymous, Giaches de Wert, Josquin Desprez, Lodovico Agostini, Alessandro Grandi
Genre:
Vocal
Label: Divine Art
Magazine Review Date: 2/2008
Media Format: CD or Download
Media Runtime: 80
Mastering:
Stereo
DDD
Catalogue Number: DDA25062
Tracks:
Composition | Artist Credit |
---|---|
(16) Motets |
Alessandro Grandi, Composer
Alessandro Grandi, Composer Celestial Sirens Musica Secreta |
Veni sponsa Christi |
Anonymous, Composer
Anonymous, Composer Celestial Sirens Musica Secreta |
Canones, et echo, eiusdem dialogi, liber primus |
Lodovico Agostini, Composer
Celestial Sirens Lodovico Agostini, Composer Musica Secreta |
Salve regina vergin gloriosa |
Anonymous, Composer
Anonymous, Composer Celestial Sirens Musica Secreta |
Missa, '(L')homme armé' sexti toni |
Josquin Desprez, Composer
Celestial Sirens Josquin Desprez, Composer Musica Secreta |
Vox in Rama audita est |
Giaches de Wert, Composer
Giaches de Wert, Composer Musica Secreta |
Regnum mundi et omnem ornatum |
Anonymous, Composer
Anonymous, Composer Celestial Sirens Musica Secreta |
Ave Maria...virgo serena |
Josquin Desprez, Composer
Josquin Desprez, Composer Musica Secreta |
Author: Richard Lawrence
But actually it works very well, the tenor and bass parts transposed up an octave and a continuo group providing firm support. Less successful are the two motets transposed up a fourth, where a slight sense of strain is apparent. Like Monteverdi, Grandi faces both ways
backwards with counterpoint, forwards with monody. Several motets start with solo voice and continuo, the other parts joining later.
Whether singing solo or as an ensemble, the ladies of Musica Secreta sound beautiful, the bright sopranos of Deborah Roberts and Tessa Bonner complemented by the throaty alto of Caroline Trevor. One of the most appealing motets is “Quo rubicunda rosa”, which begins with a duet and becomes quite Venetian in its antiphonal exchanges.
To be honest, the overall effect is bland. Grandi’s melodies fall easily on the ear, but all too rarely are they spiked with chromaticism, “Versa est in luctum” being an exception. In some of the pieces by other composers, the ensemble is joined by the eight-strong Celestial Sirens. The variety of texture is welcome, though the most moving singing comes from Catherine King in “Vox in Rama”, done as a solo with instruments. The booklet is badly laid out. An enterprising disc all the same, well worth hearing
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