Great Pianists of the 20th Century - John Ogdon, Volume 1
View record and artist detailsRecord and Artist Details
Composer or Director: (Charles-)Valentin Alkan, Alexander Scriabin, Sergey Rachmaninov, Ferruccio (Dante Michelangiolo Benvenuto) Busoni
Label: Great Pianists of the 20th Century
Magazine Review Date: 4/1999
Media Format: CD or Download
Media Runtime: 154
Mastering:
ADD
Catalogue Number: 456 913-2PM2
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Piano No. 2 |
Sergey Rachmaninov, Composer
John Ogdon, Piano Sergey Rachmaninov, Composer |
Sonata for Piano No. 4 |
Alexander Scriabin, Composer
Alexander Scriabin, Composer John Ogdon, Piano |
(12) Études dans les tons mineurs, Movement: Concerto mvt 1 |
(Charles-)Valentin Alkan, Composer
(Charles-)Valentin Alkan, Composer John Ogdon, Piano |
(12) Études dans les tons mineurs, Movement: Concerto mvt 2 |
(Charles-)Valentin Alkan, Composer
(Charles-)Valentin Alkan, Composer John Ogdon, Piano |
(12) Études dans les tons mineurs, Movement: Concerto mvt 3 |
(Charles-)Valentin Alkan, Composer
(Charles-)Valentin Alkan, Composer John Ogdon, Piano |
Variations and Fugue on Chopin's C minor Prelude |
Ferruccio (Dante Michelangiolo Benvenuto) Busoni, Composer
Ferruccio (Dante Michelangiolo Benvenuto) Busoni, Composer John Ogdon, Piano |
Concerto for Piano and Orchestra |
Ferruccio (Dante Michelangiolo Benvenuto) Busoni, Composer
(John) Alldis Choir Daniel Revenaugh, Conductor Ferruccio (Dante Michelangiolo Benvenuto) Busoni, Composer John Ogdon, Piano Royal Philharmonic Orchestra |
Author:
This second disc alone is arguably worth the price of the set. Which is just as well, because the first one is patchy. The Rachmaninov Sonata is several degrees less spontaneous and creatively alive than Van Cliburn’s in Philips’s series. Although tonally warmer, and comparable to Cliburn in depth of feeling and idiomatic understanding, it never has me on the edge of my seat, and Ogdon’s sound doesn’t expand convincingly towards the crunch moments. The finale even comes across as rather dry and circumspect, its eventual emotional release less than overwhelming. The Scriabin sets off rather dully, lacking uplift and not without some emergency glossing-over in the prestissimo volando. Fine though the big climax is, I couldn’t honestly call it ecstatic.
Ates Orga’s accompanying essay comments frankly and perceptively on the glories and shortcomings of Ogdon’s Alkan Concerto. In large parts this is a performance which could only have come from a master pianist, especially when the textures are at their most extravagant, and there’s no denying the dramatic sweep over large tracts of the colossal 26-minute first movement. Equally, in the finale the impression more than occasionally surfaces of an interpretation sketched rather than finished.
No serious worries about recording quality, and if the Alkan and the Busoni fill gaps in your collection I certainly wouldn’t hesitate. Otherwise I’d be inclined to wait and see what the promised second Ogdon instalment in the series brings.'
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