Habñera
View record and artist detailsRecord and Artist Details
Composer or Director: Georg Philipp Telemann, Francesco (Xaverio) Geminiani, Michel Blavet
Label: Capriccio
Magazine Review Date: 7/1987
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: CC27 142
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Flute and Strings |
Michel Blavet, Composer
Berlin Academy for Ancient Music Ernst-Burghard Hilse, Flute Michel Blavet, Composer |
(6) Concerti Grossi, Movement: E minor |
Francesco (Xaverio) Geminiani, Composer
Berlin Academy for Ancient Music Francesco (Xaverio) Geminiani, Composer |
Overture-Suite in G, 'Burlesque de Don Quichotte' |
Georg Philipp Telemann, Composer
Berlin Academy for Ancient Music Georg Philipp Telemann, Composer |
Concerto for Recorder, Flute and Strings |
Georg Philipp Telemann, Composer
Berlin Academy for Ancient Music Ekkehard Hering, Recorder Ernst-Burghard Hilse, Flute Georg Philipp Telemann, Composer |
Composer or Director: Joaquín Rodrigo, Timothy Walker, Maurice Ravel, Heitor Villa-Lobos, Leonard Williams, Benoit Schlosberg, Astor Piazzolla, Mario Castelnuovo-Tedesco, (Joseph) Fernando (Macari) Sor, Enrique Granados (y Campiña), Jacques (François Antoine) Ibert
Label: Classics
Magazine Review Date: 7/1987
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 1013-4
Tracks:
Composition | Artist Credit |
---|---|
Entr'acte |
Jacques (François Antoine) Ibert, Composer
Jacques (François Antoine) Ibert, Composer Judith Hall, Flute Timothy Walker, Guitar |
Pièce en forme de habanera |
Maurice Ravel, Composer
Judith Hall, Flute Maurice Ravel, Composer Timothy Walker, Guitar |
(La) Romanesca |
(Joseph) Fernando (Macari) Sor, Composer
(Joseph) Fernando (Macari) Sor, Composer Judith Hall, Flute Timothy Walker, Guitar |
(12) Danzas españolas, Movement: Andaluza (Playera) |
Enrique Granados (y Campiña), Composer
Enrique Granados (y Campiña), Composer Judith Hall, Flute Timothy Walker, Guitar |
Sonata |
Mario Castelnuovo-Tedesco, Composer
Judith Hall, Flute Mario Castelnuovo-Tedesco, Composer Timothy Walker, Guitar |
Serenata al Alba del Dia |
Joaquín Rodrigo, Composer
Joaquín Rodrigo, Composer Judith Hall, Flute Timothy Walker, Guitar |
Distribuição de flores |
Heitor Villa-Lobos, Composer
Heitor Villa-Lobos, Composer Judith Hall, Flute Timothy Walker, Guitar |
Bachianas brasileiras No. 5 |
Heitor Villa-Lobos, Composer
Heitor Villa-Lobos, Composer Judith Hall, Flute Timothy Walker, Guitar |
Flute Flight |
Timothy Walker, Composer
Judith Hall, Flute Timothy Walker, Guitar Timothy Walker, Composer |
(3) Esquisses |
Benoit Schlosberg, Composer
Benoit Schlosberg, Composer Judith Hall, Flute Timothy Walker, Guitar |
Histoire du Tango, Movement: Bordel 1900 |
Astor Piazzolla, Composer
Astor Piazzolla, Composer Judith Hall, Flute Timothy Walker, Guitar |
Histoire du Tango, Movement: Nightclub 1960 |
Astor Piazzolla, Composer
Astor Piazzolla, Composer Judith Hall, Flute Timothy Walker, Guitar |
(El) Pano Maruno |
Leonard Williams, Composer
Judith Hall, Flute Leonard Williams, Composer Timothy Walker, Guitar |
Boleras Sevillanos |
Leonard Williams, Composer
Judith Hall, Flute Leonard Williams, Composer Timothy Walker, Guitar |
Composer or Director: Georg Philipp Telemann, Francesco (Xaverio) Geminiani, Michel Blavet
Label: Capriccio
Magazine Review Date: 7/1987
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: C27 142
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Flute and Strings |
Michel Blavet, Composer
Berlin Academy for Ancient Music Ernst-Burghard Hilse, Flute Michel Blavet, Composer |
(6) Concerti Grossi, Movement: E minor |
Francesco (Xaverio) Geminiani, Composer
Berlin Academy for Ancient Music Francesco (Xaverio) Geminiani, Composer |
Overture-Suite in G, 'Burlesque de Don Quichotte' |
Georg Philipp Telemann, Composer
Berlin Academy for Ancient Music Georg Philipp Telemann, Composer |
Concerto for Recorder, Flute and Strings |
Georg Philipp Telemann, Composer
Berlin Academy for Ancient Music Ekkehard Hering, Recorder Ernst-Burghard Hilse, Flute Georg Philipp Telemann, Composer |
Author: Nicholas Anderson
The Overture and Suite is scored for string band and provides a group of vignettes of Don Quixote and his larger-than-life squire, Sancho Panza. The performance brings the dramatics personae to life in a vivid and witty manner, only just avoiding, at times, a temptation to play to the gallery. The Overture itself is played crisply and with all repeats, and succeeds in capturing something of the capricious natures of Rosinante, the scrawny creature that Quixote is proud to call a horse, and Sancho's donkey. The most vivid picture of the limp and contrary athletics of these beasts, however, is kept in reserve for their respective 'Galopes' later in the Suite. They are played in a masterly fashion with a commendable eye for detail; note, for example, the mischievous rhythmic irregularity highlighting the unpredictable nature of Rosinante, and the startling mulish outbursts on the viola illustrative of Sancho's protesting donkey. Amongst many other features of this performance which I enjoyed were Quixote's awakening, which contains some stylish embellishments from the first violin, his vigorous attack on the windmills, the emphatic grounding of Sancho Panza when being tossed in a blanket, and the vivid juxtaposition of sighing phrases with rapid heartbeating as Quixote reflects on the mistress of his heart, the
The Blavet Concerto is the same work as that recorded by Cologne Musica Antiqua on Archiv Produktion (2534 010, 8/83—nla); I have enjoyed both performances but prefer the more reticent balance given to the harpsichord in this new version which, incidentally, uses a tenor viol rather than a cello as its bowed-string continuo instrument. Both groups adopt similar tempos to one another. The Geminiani Concerto is a fine one with an interesting chromatically orientated four-part fugue as its second movement; and, as elsewhere in Geminiani's Op. 3, the concertino group incorporates a viola with the more usual two violins and cello. The Berlin players extract plenty of resonant sounds from the textures as well as capturing some of the music's individuality.
After what I've said about Telemann's Don Quichotte it is both curious and sad to report that the Flute and Recorder Concerto came as something of a disappointment. The playing is fine but I could find little of the imaginative flair which characterizes the other works in this programme. Part of the problem is that there seems to be little relief from a dynamic forte and that is precisely what is not required in either the first or third movements; nor did I care for the laboured articulation of the opening phrase of the second movement ritornello. These matters apart, I found plenty both to enjoy and admire in the playing of this basically one-to-a-part ensemble. Strongly recommended for the Telemann Don Quichotte. Good recorded sound, though at times it sounds bottom-heavy and may require a small adjustment.'
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