Hopkinson Smith: Bright & Early
View record and artist detailsRecord and Artist Details
Genre:
Instrumental
Label: Naïve
Magazine Review Date: 04/2023
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: E7545
Tracks:
Composition | Artist Credit |
---|---|
Saltarello ala ferrarese |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Recercare No 6 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Recercare No 13 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Piva ala ferrarese |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Caldibi castigliano |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Caldibi saltarello |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Ricercare No 23 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Ricercare No 4 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Pavana alla ferrarese |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Io non compro |
Marchetto Cara, Composer
Hopkinson Smith, Lute |
Poi che volse la mia stella (after Bartolomeo Trom |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Ricercare No 25 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Ricercare No 15 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Pavana alla venetiana |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Saltarello ala venetiana |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Piva ala venetiana |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Ricercare No 12 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Ricercare No 19 |
Francesco Spinacino, Composer
Hopkinson Smith, Lute |
Poi che il ciel contrario adverso |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Calata ala Spagnola ditto terzetti |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Tastar de corde |
Joan Ambrosio Dalza, Composer
Hopkinson Smith, Lute |
Author: William Yeoman
If anything, ‘late style’ is more about a renewed sense of freedom, of expanded possibilities, of a more capacious creativity, than diminishing powers. But with his latest release veteran lutenist Hopkinson Smith goes one further, almost making a virtue out of perversity.
For by tackling head-on the ‘numerous misprints, non-sequiturs in the texts, missing measures, inexplicable turns of phrase, and moments of bizarre counterpoint’ of 16th-century lutenist Francesco Spinacino’s Libro primo and Libro secondo (both published by Ottaviano Petrucci in 1507), Smith attempts to resurrect, with a mixture of musicology, speculation and sheer chutzpah, something of the shadow of an enigma.
The results are exhilarating, thanks in no small part by juxtaposing Spinacino’s ruminative ricercares with the dances and vocal intabulations of the presumably more extrovert (‘more café and tavern lutenist’, writes Smith) Joan Ambrosio Dalza, whose comparatively simpler scores Smith freely elaborates ‘in a spirit that seems to grow out of his printed versions’.
Playing a six-course lute with an extra octave for the third course (double-string) and the upper octave unusually on the ‘thumb side’ for all courses (horses for courses, I guess), Smith here, as always, finds depth of meaning in the simplest gesture. Spinacino’s ricercares are presented in pairs, and Nos 23 and 4 are typical for Smith’s pointing up gentle, flowing motifs on the one hand and looser, more dramatic perspectives on the other. Compare this with the closing group of three pieces by Dalza: a song, a dance and finally Tastar de corde – the latter as beautiful as it is fragmentary and eccentric.
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