The secular music of Josquin has not always been very successful in recordings. Many of the pieces are very short – some can seem like exercises for something else, and others make little sense unless they are understood in the wider context of other settings based on the same material. The last problem is solved here by the inclusion of a lot of the related settings alongside those of Josquin. And the recording solves the first problem by unapologetically offering no fewer than 37 tracks, with the pieces grouped together so they flow cleanly from one to the next; it also resists some of the more outgoing pieces, so that the whole disc occupies a consistent sound world.
That sound world is mostly a gentle one, with the lines flowing quite fast in an easy playing style that can occasionally lose a few details but compensates with clarity of design. The musicians also cultivate a sound that favours vivacity and flair over constant attention to all the details of intonation; but that, too, is good, because everything is lively and full of variety. The instruments used range from viols and lutes to an ensemble of recorders and even one of crumhorns (played with an admirable restraint). And the singers offer all the variety of tone-colour one might expect from a group spearheaded by John Potter.
Many pieces here have never been recorded before; and the whole disc has the twin benefits of being remarkably accessible for easy listening as well as providing a marvellous basis for the closer understanding that can come from following the insert material carefully. This is a disc I have already enjoyed many times and plan to keep near me.'