Kaiser Maximilian I
View record and artist detailsRecord and Artist Details
Composer or Director: Paul Hofhaimer, Josquin Desprez, Antoine de Févin, Anonymous, Ludwig Senfl, Heinrich Isaac, Adrian Willaert, Johannes Ockeghem
Genre:
Vocal
Label: Christophorus
Magazine Review Date: 10/2019
Media Format: CD or Download
Media Runtime: 63
Mastering:
DDD
Catalogue Number: CHR77438
Tracks:
Composition | Artist Credit |
---|---|
Tanzbüchlein der Margarete von Österreich – excs |
Anonymous, Composer
Anonymous, Composer Per-Sonat Sabine Lutzenberger |
O pulcherrima mulierum |
Antoine de Févin, Composer
Antoine de Févin, Composer Per-Sonat |
Ach lieb mit laid |
Paul Hofhaimer, Composer
Paul Hofhaimer, Composer Per-Sonat Sabine Lutzenberger |
Mein Freud allein |
Heinrich Isaac, Composer
Heinrich Isaac, Composer Per-Sonat Sabine Lutzenberger |
Zwischen perg und tieffe tal |
Heinrich Isaac, Composer
Heinrich Isaac, Composer Per-Sonat Sabine Lutzenberger |
Proch dolor |
Josquin Desprez, Composer
Josquin Desprez, Composer Per-Sonat Sabine Lutzenberger |
D'un autre amer |
Johannes Ockeghem, Composer
Johannes Ockeghem, Composer Per-Sonat Sabine Lutzenberger |
Senfl Kain höhers lebt noch schwebt |
Ludwig Senfl, Composer
Ludwig Senfl, Composer Per-Sonat Sabine Lutzenberger |
Kein Freud’ ohn’ dich |
Ludwig Senfl, Composer
Ludwig Senfl, Composer Per-Sonat Sabine Lutzenberger |
Kein Adler in der Welt so schön |
Adrian Willaert, Composer
Adrian Willaert, Composer Per-Sonat Sabine Lutzenberger |
Author: Alexandra Coghlan
Ensemble Per-Sonat and their director Sabine Lutzenberger have put together a varied recital of musical miniatures that combines dances, love songs and secular chansons to give a vivid picture of the daily life of Maximilian’s court, where music might be after-dinner entertainment, seduction tool or accompaniment to dancing. Ockeghem’s hugely popular love song ‘D’ung aultre amer’ is heard first in its elegant, mercurial original, then in one of many anonymous arrangements – crisper and more playful than Lutzenberger’s own yearning solo account.
What emerges most strongly here is the sense of music on a cusp. Many of the modal dances, with their primitive two- or three-part counterpoint, look back to earlier decades, while in the sophisticated works by Heinrich Isaac and Ludwig Senfl (whose exquisite love songs, particularly the former’s ‘Kein frewd hab ich uff erd’ and the latter’s ‘Kein Freud’ ohn’ dich’, are a highlight) anticipate the musical future.
Touchingly, the programme closes with the brooding, sober beauty of Josquin’s ‘Proch dolor/Pie Jesu’, whose text mourns the death of an emperor – probably Maximilian himself. Two texts and three voices are tightly woven into a canonic path from which there is no deviating – a metaphor that needs no explanation.
The joy of this release is in the detail: the close recording that brings out the grit and gasp of the period strings, their rich colours illuminated against the white purity of the voices, the many stories of unlikely or curious provenance that emerge in the booklet notes. Only the omission of song translations blots this otherwise impeccable disc.
Explore the world’s largest classical music catalogue on Apple Music Classical.
Included with an Apple Music subscription. Download now.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £9.20 / month
SubscribeGramophone Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £11.45 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.