(La) Rimembranza
Uncovering the virtues of the soirée with performances worthy of the tradition
View record and artist detailsRecord and Artist Details
Composer or Director: Carlo Pedrotti, Luigi Arditi, Vincenzo Gabussi, Sir Michael Costa, Pompeo Belgiojoso, (Antonio) Carlos Gomes, Giuseppe Verdi, Giuseppe Poniatowski, Marco Aurelio Marliani
Genre:
Vocal
Label: Il Salotto
Magazine Review Date: 7/2003
Media Format: CD or Download
Media Runtime: 75
Mastering:
Stereo
DDD
Catalogue Number: ORR223
Tracks:
Composition | Artist Credit |
---|---|
(La) Rimembranza |
Vincenzo Gabussi, Composer
Bruce Ford, Tenor David Harper, Piano Jennifer Larmore, Mezzo soprano Vincenzo Gabussi, Composer |
Io ti Vidi |
(Antonio) Carlos Gomes, Composer
(Antonio) Carlos Gomes, Composer Bruce Ford, Tenor David Harper, Piano |
Leggero invisibile, 'Boléro' |
Luigi Arditi, Composer
David Harper, Piano Jennifer Larmore, Mezzo soprano Luigi Arditi, Composer |
Amore e speme |
Giuseppe Poniatowski, Composer
David Harper, Piano Giuseppe Poniatowski, Composer Manuela Custer, Mezzo soprano |
Vanne a colei che adoro |
Sir Michael Costa, Composer
Antonio Siragusa, Tenor Bruce Ford, Tenor David Harper, Piano Majella Cullagh, Soprano Sir Michael Costa, Composer |
Felicitá |
Luigi Arditi, Composer
David Harper, Piano Luigi Arditi, Composer Majella Cullagh, Soprano |
Odi d' un uomo che muore |
Marco Aurelio Marliani, Composer
Bruce Ford, Tenor David Harper, Piano Marco Aurelio Marliani, Composer |
Non é la vaga rosa |
Sir Michael Costa, Composer
Antonio Siragusa, Tenor David Harper, Piano Jennifer Larmore, Mezzo soprano Manuela Custer, Mezzo soprano Sir Michael Costa, Composer |
Fior di Margherita |
Luigi Arditi, Composer
David Harper, Piano Luigi Arditi, Composer Manuela Custer, Mezzo soprano |
Giulietta mia |
Carlo Pedrotti, Composer
Antonio Siragusa, Tenor Carlo Pedrotti, Composer David Harper, Piano |
Gloria alla beltá |
Luigi Arditi, Composer
David Harper, Piano Jennifer Larmore, Mezzo soprano Luigi Arditi, Composer Majella Cullagh, Soprano Manuela Custer, Mezzo soprano |
(Il) Desìo |
Luigi Arditi, Composer
David Harper, Piano Jennifer Larmore, Mezzo soprano Luigi Arditi, Composer Majella Cullagh, Soprano |
Cupo é il sepolcro e mutolo |
Giuseppe Verdi, Composer
Bruce Ford, Tenor David Harper, Piano Giuseppe Verdi, Composer |
(I) Pescatori |
Vincenzo Gabussi, Composer
Antonio Siragusa, Tenor Bruce Ford, Tenor David Harper, Piano Vincenzo Gabussi, Composer |
Trema, o vil ! |
Luigi Arditi, Composer
David Harper, Piano Jennifer Larmore, Mezzo soprano Luigi Arditi, Composer Majella Cullagh, Soprano |
Ecco quel fiero istante |
Sir Michael Costa, Composer
Bruce Ford, Tenor David Harper, Piano Jennifer Larmore, Mezzo soprano Majella Cullagh, Soprano Russell Smythe, Baritone Sir Michael Costa, Composer |
Author: kYlzrO1BaC7A
That is not surprising when we realise that the original singers included as duettists such celebrities as the Marchisio sisters and Pasta and Viardot – these soirées were not (except in the literal sense) amateur occasions. The present-day successors, as represented on the recordings, are both gifted and accomplished. Most especially, they are good in ensemble, so that the trio Non è la vaga rosa, also by Costa, has the women’s voices exquisitely blended with the tenor’s. This is Antonio Siragusa, new to the series, light of tone in the Schipa tradition and making Bruce Ford sound almost heroic and baritonal when they sing together.
The other recruit is the mezzo Manuela Custer, distinguished in timbre and style, with a smile in the voice for Arditi’s petal-pulling polka, Fior di Margherita. Arditi is the composer who adds zest to this party, and his bolero, Leggero, invisibile, beloved of old by Ernestine Schumann-Heink, is given a sparkling performance by Jennifer Larmore: probably the highlight of the evening.
All do well – Majella Cullagh in her own Arditi song, the waltz Felicità, Ford in a charming love-song by Carlos Gomes, Russell Smythe brought in for his part in the quartet, and David Harper the sympathetic pianist throughout. The booklet has entertaining and informative notes by Erica Jeal and Patric Schmid (though I’m not convinced by the references to Ida Lupino and The Andrews Sisters), and is even more lavishly illustrated than usual.
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