Magdalena Kožená: Soirée

Record and Artist Details

Composer or Director: Johannes Brahms, Richard Strauss, (Amedée-)Ernest Chausson, Antonín Dvořák, Igor Stravinsky, Maurice Ravel, Leoš Janáček

Genre:

Vocal

Label: Pentatone

Media Format: Super Audio CD

Media Runtime: 73

Mastering:

DDD

Catalogue Number: PTC5186 671

PTC5186 671. Magdalena Kožená: Soirée

Tracks:

Composition Artist Credit
2 Songs for Alto, Viola and Piano Johannes Brahms, Composer
Andrew Marriner
David Adorján
Johannes Brahms, Composer
Kaspar Sehnder
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
Ophelia Lieder Johannes Brahms, Composer
Andrew Marriner
David Adorján
Johannes Brahms, Composer
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
Chanson perpétuelle (Amedée-)Ernest Chausson, Composer
(Amedée-)Ernest Chausson, Composer
Andrew Marriner
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 1, My song of love Antonín Dvořák, Composer
Andrew Marriner
Antonín Dvořák, Composer
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Wolfram Brandl
Yulia Deyneka
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 6, Wide the sleeves Antonín Dvořák, Composer
Andrew Marriner
Antonín Dvořák, Composer
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Wolfram Brandl
Yulia Deyneka
Cypresses, Movement: Downcast am I Antonín Dvořák, Composer
Andrew Marriner
Antonín Dvořák, Composer
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Wolfram Brandl
Yulia Deyneka
In Folk Tone, Movement: When a maiden was a-mowing Antonín Dvořák, Composer
Andrew Marriner
Antonín Dvořák, Composer
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Wolfram Brandl
Yulia Deyneka
(7) Gipsy Melodies, 'Zigeunerlieder', Movement: No. 4, Songs my mother taught me Antonín Dvořák, Composer
Andrew Marriner
Antonín Dvořák, Composer
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
Nursery Rhymes Leoš Janáček, Composer
Andrew Marriner
David Adorján
Leoš Janáček, Composer
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
(3) Chansons madécasses Maurice Ravel, Composer
Andrew Marriner
David Adorján
Magdalena Kozená, Mezzo soprano
Maurice Ravel, Composer
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
(4) Lieder, Movement: No. 4, Morgen (wds. J H Mackay: orch 1897) Richard Strauss, Composer
Andrew Marriner
David Adorján
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Richard Strauss, Composer
Simon Rattle
Wolfram Brandl
(3) Shakespeare Songs Igor Stravinsky, Composer
Andrew Marriner
David Adorján
Igor Stravinsky, Composer
Kaspar Sehnder
Magdalena Kozená, Mezzo soprano
Rahel Rilling
Simon Rattle
Wolfram Brandl
Yulia Deyneka
Don’t turn up empty-handed of an evening chez Rattle. While a bottle of red wine and a bouquet of flowers may be de rigueur for most dinner parties, you’d be better advised to pitch up with an instrument here so you can participate in the musical entertainment. ‘Soirée’ is performed by Magdalena KoŽená ‘& Friends’, including Sir Simon making his debut recording as a pianist. The assembled ‘friends’ include string players from Berlin – although not the Philharmonic – and Andrew Marriner, just retired as the LSO’s principal clarinet.

In her introductory programme note, KoŽená pines for the days of musical soirées, playing ‘for the sheer pleasure of it’, with alcohol freeing up the musicians. She declares, however, that the Berlin recording sessions were ‘completely teetotal’ … which is rather a shame, as the results are just a little bland. The programme is an eclectic mix of repertoire for mezzo-soprano with chamber accompaniment, ranging from Ravel to Brahms to Janáček, but the performances are so uniform as to iron out many of the essential differences between them.

There is some lovely singing from KoŽená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs, especially her Dvořák, Janáček and Martinů DG debut (8/00). But there is now a lack of bloom on top notes and her mooning manner in Chausson’s ‘Chanson perpétuelle’ is a little arch. She sings the two Brahms collections well, especially the Ophelia Songs, and is at her best in her native Czech. She seems less comfortable with the angular phrases of Ravel’s Chansons madécasses.

The chamber-group support is refined and well-behaved – the only exception being the sung choral interjections in one of Janáček’s spiky Říkadla (‘Nursery Rhymes’). Rattle’s gentle, unforced pianism doesn’t get in the way and Wolfram Brandl’s soaring violin in Strauss’s ‘Morgen!’ is beautifully judged. Of the arrangements, Aribert Reimann’s Brahms is more piquant than Duncan Ward’s slightly soporific Dvořák, although the swooning ‘Songs my mother taught me’ is one of the disc’s rare plums.

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