Mozart Operatic Arias
Kozena, unmissable in Mozart, and Persson, a delectable Swedish soprano
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Genre:
Vocal
Label: BIS
Magazine Review Date: 9/2006
Media Format: Super Audio CD
Media Runtime: 64
Mastering:
Stereo
DDD
Catalogue Number: BISSACD1529
Tracks:
Composition | Artist Credit |
---|---|
Schon lacht der holde Frühling |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Ch'io mi scordi di te...Non temer, amato bene |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer Yevgeny Sudbin, Piano |
Nehmt meinen Dank, ihr holden Gönner |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Mitridate, Re di Ponto, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Un moto di gioia, K579 (Act 2: Susanna) |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Zaïde, Movement: Ruhe sanft, meine holdes Leben |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Exsultate, jubilate |
Wolfgang Amadeus Mozart, Composer
Miah Persson, Soprano Sebastian Weigle, Conductor Swedish Chamber Orchestra Ulf Samuelsson, Organ Wolfgang Amadeus Mozart, Composer |
Composer or Director: Wolfgang Amadeus Mozart
Genre:
Opera
Label: Archiv Produktion
Magazine Review Date: 9/2006
Media Format: CD or Download
Media Runtime: 64
Mastering:
Stereo
DDD
Catalogue Number: 477 6272AH
Tracks:
Composition | Artist Credit |
---|---|
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Voi che sapete |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Ch'io mi scordi di te...Non temer, amato bene |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: In uomini, in soldati |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: È amore un ladroncello |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
(La) Clemenza di Tito, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Vado, ma dove? oh Dei! |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Non so più cosa son |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Alma grande e nobil core |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Al desio di chi t'adora, K577a (Act 4: Susanna) |
Wolfgang Amadeus Mozart, Composer
Jos van Immerseel, Fortepiano Magdalena Kozená, Mezzo soprano Orchestra of the Age of Enlightenment Simon Rattle, Conductor Wolfgang Amadeus Mozart, Composer |
Author: Richard Wigmore
Beyond this, Rattle’s claim is hard to refute. Cherubino (whose ‘Voi che sapete’ is sung in an embellished version published in 1810) and Dorabella (a blithe, flighty ‘È amore un ladroncino’) are the only roles here in Kozená’s stage repertoire. But she ‘lives’ each of these wide-ranging characters intensely, from the remorseful Vitellia in La clemenza di Tito (sorrow etched into the texture of her voice) via the tenderness and anguish of Ilia in Idomeneo to a delightfully sly, knowing Despina. The vivid, tangy accompaniments from Rattle and the OAE go well beyond mere good style, with a classy basset-horn obbligato from Anthony Pay in the Vitellia aria. Fortepianist Jos van Immerseel is an equally sympathetic partner in an impassioned yet intimate performance of ‘Ch’io mi scordi di te’, written for the first Susanna, Nancy Storace, and memorably described by Paul Hamburger as ‘the most mature love-letter ever written in music’.
Though slightly less immediate and specific in her responses than Kozená, Miah Persson, in tandem with Yevgeny Sudbin, is hardly less moving in ‘Ch’io mi scordi di te’, one of two items common to both discs. The other is ‘Deh vieni’, a delightful memento of the Swedish soprano’s dazzling, sensuous Susanna at Covent Garden. More recently Persson has rightly won accolades for her Glyndebourne Fiordiligi, compensating for any lack of heroic weight with her sweet, gleaming timbre, her clean negotiation of the wide intervals (confirmed here in a splendid ‘Come scoglio’) and her natural elegance of style. Her smiling tone and agile coloratura technique make for a truly joyous ‘Exsultate, jubilate!’; she gives a noble account of Sifare’s farewell aria (with obbligato horn) from Mitridate, while that exquisite lullaby ‘Ruhe sanft’ is as dulcet and gracefully phrased as you could wish.
Occasionally, as in the otherwise brilliant bravura close of ‘Schon lacht der holde Frühling’, Persson can sing fractionally under the note. And well as they play, the (modern-instrument) Swedish Chamber Orchestra cannot quite match the OAE, for Kozená, in character and point. But with few provisos this is a delectable recital, not least in an enchantingly deft and spirited performance of the waltz-song ‘Un moto di gioia’ (another substitute aria for Susanna) that aptly gives the disc its name.
Explore the world’s largest classical music catalogue on Apple Music Classical.
Included with an Apple Music subscription. Download now.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £9.20 / month
SubscribeGramophone Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £11.45 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.