OCKEGHEM Missa prolationum
Lyons ensemble offer mixed-voice Ockeghem
View record and artist detailsRecord and Artist Details
Composer or Director: Johannes Ockeghem
Genre:
Vocal
Label: AgOgique
Magazine Review Date: 06/2013
Media Format: CD or Download
Media Runtime: 57
Mastering:
DDD
Catalogue Number: AGO008
Tracks:
Composition | Artist Credit |
---|---|
Missa prolationum |
Johannes Ockeghem, Composer
Christel Boiron, Soprano Ensemble Musica Nova Esther Labourdette, Soprano Guillaume Olry, Bass Jérémie Couleau, Tenor Johannes Ockeghem, Composer Lucien Kandel, Alto Marc Busnel, Bass Marie-Claude Vallin, Alto Thierry Peteau, Bass Xavier Olagne, Tenor |
Alma redemptoris mater |
Johannes Ockeghem, Composer
Christel Boiron, Soprano Ensemble Musica Nova Esther Labourdette, Soprano Guillaume Olry, Bass Jérémie Couleau, Tenor Johannes Ockeghem, Composer Lucien Kandel, Alto Marc Busnel, Bass Marie-Claude Vallin, Alto Thierry Peteau, Bass Xavier Olagne, Tenor |
Salve regina I |
Johannes Ockeghem, Composer
Christel Boiron, Soprano Ensemble Musica Nova Esther Labourdette, Soprano Guillaume Olry, Bass Jérémie Couleau, Tenor Johannes Ockeghem, Composer Lucien Kandel, Alto Marc Busnel, Bass Marie-Claude Vallin, Alto Thierry Peteau, Bass Xavier Olagne, Tenor |
Author: David Fallows
What is so attractive about Ensemble Musica Nova is the way they sing out and are not afraid of the close miking (which makes the breathing occasionally sound more self-conscious than it perhaps should). But most of all they entirely hide the mind-boggling difficulty of composing many passages in the piece, with its mensural canons at all possible intervals. Gérard Geay’s accompanying note explains some of the issues involved.
Still, it may be better just to admire the beautiful ensemble of the group, their excellent tuning and their effortless control of the vocal lines, which are among the most initially unyielding of any music from the 15th century. The two motets that begin and end the disc bring us back to more familiar ground.
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