Paradis sur terre
View record and artist detailsRecord and Artist Details
Composer or Director: Lili Boulanger, André Caplet, Cécile (Louise Stèphanie) Chaminade, Claude Debussy
Genre:
Vocal
Label: Chandos
Magazine Review Date: 07/2016
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: CHAN10893
Tracks:
Composition | Artist Credit |
---|---|
Clairières dans le ciel |
Lili Boulanger, Composer
Lili Boulanger, Composer Malcolm Martineau, Piano Nicky Spence, Tenor |
Prières |
André Caplet, Composer
André Caplet, Composer Malcolm Martineau, Piano Nicky Spence, Tenor |
Mélodies |
Cécile (Louise Stèphanie) Chaminade, Composer
Cécile (Louise Stèphanie) Chaminade, Composer Malcolm Martineau, Piano Nicky Spence, Tenor |
(3) Mélodies de Verlaine |
Claude Debussy, Composer
Claude Debussy, Composer Malcolm Martineau, Piano Nicky Spence, Tenor |
Author: Tim Ashley
It’s a repertory that suits Spence rather well. Caplet and Boulanger allow us to hear some finely shaded soft singing and a striking mezza voce that extends upwards with ease, resulting in some remarkable hovering phrases in his upper registers. The Verlaine settings are more assertive – the expansive warmth of the opening ‘La mer est plus belle’ is particularly engaging – while Chaminade’s songs, which sometimes veer towards Massenet in mock-18th-century mode, are admirable in their lightness of touch, with some graceful coloratura and a pleasing ring in Spence’s high notes. Martineau, as one might expect, is stylish and elegant throughout: he’s at his most eloquent in Les prières, the modal harmonies of which owe much to Debussy’s Le martyre de Saint Sébastien (which Caplet partly orchestrated), and wonderfully persuasiave in the Boulanger cycle, where the complex piano-writing continuously hints at emotions lurking vaguely formed and half-hidden beneath vocal line and text.
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