Prelude, Fnugg and Riffs

Wind-players just want to have fun but do listeners want to join in?

Record and Artist Details

Composer or Director: Daniel Nelson, Leonard Bernstein, Boris Diev, Mark-Anthony Turnage, Fredrik Högberg, Øystein Baadsvik

Genre:

Chamber

Label: BIS

Media Format: CD or Download

Media Runtime: 58

Mastering:

Stereo
DDD

Catalogue Number: BISCD1625

Tracks:

Composition Artist Credit
Prelude, Fugue and Riffs Leonard Bernstein, Composer
Christian Lindberg, Conductor
Leonard Bernstein, Composer
Øystein Baadsvik, Tuba
Swedish Wind Ensemble
Fnugg Blue Øystein Baadsvik, Composer
Christian Lindberg, Conductor
Christian Lindberg, Trombone
Øystein Baadsvik, Tuba
Øystein Baadsvik, Composer
Swedish Wind Ensemble
Concerto for Tuba and Wind Orchestra Boris Diev, Composer
Boris Diev, Composer
Christian Lindberg, Conductor
Øystein Baadsvik, Tuba
Swedish Wind Ensemble
(A) Quick Blast Mark-Anthony Turnage, Composer
Christian Lindberg, Conductor
Mark-Anthony Turnage, Composer
Øystein Baadsvik, Tuba
Swedish Wind Ensemble
Trolltuba Fredrik Högberg, Composer
Christian Lindberg, Conductor
Fredrik Högberg, Composer
Øystein Baadsvik, Tuba
Swedish Wind Ensemble
Metallëphônic Remix Daniel Nelson, Composer
Christian Lindberg, Conductor
Daniel Nelson, Composer
Øystein Baadsvik, Tuba
Swedish Wind Ensemble
More fun to play than to listen to is one of the hoariest clichés about symphonic wind band music. Whether or not you feel this disc exemplifies it, for those who like this kind of thing the world's No 1 exhibitionist trombonist and his Swedish players are superb advocates. Bernstein's Prelude, Fugue and Riffs at least seems to have stood the test of time (though why Antheil's even funkier Jazz Symphony hasn't taken its place alongside it I don't quite know). Otherwise the disc is strictly for aficionados of performance rather than composition.

Even then for most non-players, I suspect the delights of a trombonist simultaneously singing and playing are about as artistically rewarding as Dr Johnson's dancing dog. Still, if it has to be done, Øystein Baadsvik's eight-minute Fnugg Blue is as entertaining a way as any, and Christian Lindberg one of the few exponents in the world one would want to hear performing it. Similarly, as a cabaret act at the end of a schnapps-fuelled summer school, Frederik Högberg's Trolltuba (a whimsical miniature melodrama on the Billy Goats Gruff story) might just be tolerable.

Boris Diev's Tuba Concerto is sub-Hindemithian Gebrauchsmusik, with much cribbing from Shostakovich's Cello Sonata. Not surprisingly there is more to chew on in Turnage's A Quick Blast, while Daniel Nelson's Metallëphônic Remix slips down and out again easily, if not quite rapidly enough. Recordings are well up to BIS's usual high standards.

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