PUCCINI La Fanciulla del West
Stemme at home for Fanciulla filmed in Stockholm
View record and artist detailsRecord and Artist Details
Composer or Director: Giacomo Puccini
Genre:
Opera
Label: Euroarts
Magazine Review Date: 11/2013
Media Format: Digital Versatile Disc
Media Runtime: 140
Mastering:
DDD
Catalogue Number: 207 2598
Tracks:
Composition | Artist Credit |
---|---|
(La) Fanciulla del West, '(The) Girl of the Golden |
Giacomo Puccini, Composer
Agneta Lundgren, Wowkle Alar Pintsaar, Billy Jackrabbit Aleksandrs Antonenko, Dick Johnson, Tenor Anton Eriksson, José Castro Conny Thimander, Harry, Tenor Giacomo Puccini, Composer Gunnar Lundberg, Sid, Baritone Ian Power, Larkens John Erik Eleby, Jake Wallace John Lundgren, Jack Rance, Baritone Jon Nilsson, Pony Express rider Karl Rombo, Trin, Tenor Kristian Flor, Happy Linus Börjesson, Bello, Baritone Magnus Kyhle, Joe Michael Schmidberger, Ashby, Bass Niklas Björling Rygert, Nick, Tenor Nina Stemme, Minnie, Soprano Ola Eliasson, Sonora, Baritone Pier Giorgio Morandi, Conductor Royal Swedish Opera Chorus (Men) Royal Swedish Opera Orchestra |
Author: Richard Fairman
It could have been confidently predicted that Stemme would make a formidable Minnie. Although her voice has a rather thick, un-Italianate sound, she musters its heroic power impressively as the opera progresses, and her portrayal of Minnie as a tough cookie works well in this production’s gritty surroundings. Her Dick Johnson, Aleksandrs Antonenko, does not sound Italian either, though his tenor goes excitingly into overdrive as it rises above the stave. It is just a shame that he cuts an unromantic figure on stage. John Lundgren’s magnificently brooding Jack Rance dominates his scenes with ease, rather overshadowing the supporting cast of miners (John Erik Eleby’s vocally wobbly Jake Wallace is made up to look the spitting image of Charlie Chaplin). The conductor, Pier Giorgio Morandi, holds the reins on a reasonably taut performance but the orchestral sound lacks glamour.
It is not only a sentimental attachment to the old Royal Opera production, a 1970s cinematic epic with sets by Ken Adam (of James Bond fame), that makes me want to keep that at the top of the recommendations. Meanwhile, for a more modern take on Puccini, the Netherlands Opera’s controversial production on Opus Arte presents a glitzy parable of the American dream and features a comparably strong leading pair of singers.
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