Rags of Time (The)

A stylish juxtaposition of lute songs with contemporary poetry‚ superbly delivered

Record and Artist Details

Composer or Director: John Donne, John Wilson, Robert II Johnson, John Hilton II, Anonymous, Henry Lawes, William Lawes, William Corkine, Francesco Corbetta, Alfonso I Ferrabosco

Genre:

Vocal

Label: Harmonia Mundi

Media Format: CD or Download

Media Runtime: 65

Mastering:

Stereo
DDD

Catalogue Number: HMU90 7257

Tracks:

Composition Artist Credit
Sweetest love, I do not goe Anonymous, Composer
Anonymous, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Sweet, stay awhile Henry Lawes, Composer
Henry Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Break of day William Corkine, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
William Corkine, Composer
Wherefore peep'st thou, envious day? John Wilson, Composer
John Wilson, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Variations on 'John Come Kiss Me Now' Anonymous, Composer
Anonymous, Composer
Nigel North, Lute
Goe and catch a fallinge star Anonymous, Composer
Anonymous, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
(The) Expiration Alfonso I Ferrabosco, Composer
Alfonso I Ferrabosco, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
(The) Noble man's masque tune Robert II Johnson, Composer
Nigel North, Lute
Robert II Johnson, Composer
Wilt thou forgive the sin where I begun? John Hilton II, Composer
John Hilton II, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Pavans, Movement: C minor (x 2) Robert II Johnson, Composer
Nigel North, Lute
Robert II Johnson, Composer
Love's Sweet Repose Henry Lawes, Composer
Henry Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Love's Flattery William Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
William Lawes, Composer
Ciaconna Francesco Corbetta, Composer
Francesco Corbetta, Composer
Nigel North, Guitar
Gather ye rosebuds while ye may William Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
William Lawes, Composer
(The) Rose Henry Lawes, Composer
Henry Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Prelude in A minor John Wilson, Composer
John Wilson, Composer
Nigel North, Theorbo
(The) Selfe Banished Henry Lawes, Composer
Henry Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Prelude in F John Wilson, Composer
John Wilson, Composer
Nigel North, Theorbo
Peace, mutt'ring thoughts John Wilson, Composer
John Wilson, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
Prelude in B flat John Wilson, Composer
John Wilson, Composer
Nigel North, Theorbo
Have you e'er seen the morning sun Henry Lawes, Composer
Henry Lawes, Composer
Nigel North, Lute
Paul Hillier, Vocalist/voice
(The) Apparition John Donne, Composer
John Donne, Composer
Paul Hillier, Zeidar
(The) Flea John Donne, Composer
John Donne, Composer
Paul Hillier, Zeidar
(The) good-morrow John Donne, Composer
John Donne, Composer
Paul Hillier, Zeidar
(The) Sunne Rising John Donne, Composer
John Donne, Composer
Paul Hillier, Zeidar
(The) triple Foole John Donne, Composer
John Donne, Composer
Paul Hillier, Zeidar
The recorded marriage of lute music with poetry was launched in the 1960s by Dame Peggy Ashcroft and Julian Bream and‚ after having lain dormant for some time‚ it now resurfaces. The focus of the first part of the programme is on the love poems of John Donne‚ words from one of which provide the album’s title. Five are spoken by Paul Hillier‚ others are set as lute­songs by various lutenists (including ‘Anon’). The items in the second part are taken from Henry Lawes’ Select Ayres & Dialogues (1669) and are based on poems by contemporary authors‚ all set as lute­songs by Henry and William Lawes‚ and John Wilson. Both sections are punctuated by instrumental solos – lute in the first‚ theorbo and five­course (‘Baroque’) guitar in the second‚ adding to the variety of the programme as a whole. This is a format that might profitably be considered by others‚ both in concert and on disc. Though all the texts are given in the inlay booklet‚ clarity of diction is a sine qua non in the relaxed enjoyment of listening; it should surprise no one to learn that Paul Hillier delivers it or‚ for that matter‚ that Nigel North’s performances are flawless. Recording quality and annotation (by Nigel North) are first­class. An irresistible issue.

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