Sacred Songs of Life and Love
View record and artist detailsRecord and Artist Details
Composer or Director: Ivo Antognini, Arvo Pärt, Sven-David Sandström, Knut Nystedt, Algirdas Martinaitis, Eriks Esenvalds
Genre:
Vocal
Label: Pentatone
Magazine Review Date: 04/2015
Media Format: Super Audio CD
Media Runtime: 53
Mastering:
DDD
Catalogue Number: PTC5186 530
Tracks:
Composition | Artist Credit |
---|---|
Magnificat |
Arvo Pärt, Composer
Arvo Pärt, Composer Brian A Schmidt, Conductor South Dakota Chorale |
Bogoróditse Dyévo |
Arvo Pärt, Composer
Arvo Pärt, Composer Brian A Schmidt, Conductor South Dakota Chorale |
(7) Magnificat Antiphons |
Arvo Pärt, Composer
Arvo Pärt, Composer Brian A Schmidt, Conductor South Dakota Chorale |
Alleluia |
Algirdas Martinaitis, Composer
Algirdas Martinaitis, Composer Brian A Schmidt, Conductor South Dakota Chorale |
Prayers of Kierkegaard, Movement: Excerpts |
Knut Nystedt, Composer
Brian A Schmidt, Conductor Knut Nystedt, Composer South Dakota Chorale |
4 Songs of Love |
Sven-David Sandström, Composer
Brian A Schmidt, Conductor South Dakota Chorale Sven-David Sandström, Composer |
I am the rose of Sharon |
Ivo Antognini, Composer
Brian A Schmidt, Conductor Ivo Antognini, Composer South Dakota Chorale |
O salutaris Hostia |
Eriks Esenvalds, Composer
Brian A Schmidt, Conductor Eriks Esenvalds, Composer South Dakota Chorale |
Nunc Dimittis |
Arvo Pärt, Composer
Arvo Pärt, Composer Brian A Schmidt, Conductor South Dakota Chorale |
Author: Caroline Gill
The South Dakota Chorale started their recording career relatively recently but they are more than well suited to this full-bodied repertoire. They address the common lyricism of the music through a warmth of sound and sonority that is not only notably varied in tone and colour but which is all but perfect in blend, ensemble and intonation, and this does particular justice to the dramatically contrasting works of Martinaitis and Nystedt (both of whom died in 2014) and the substantial-but-ephemeral O salutaris hostia by Ēriks Ešenvalds, whose profile has rightly been raised considerably over recent years by single-composer discs of his work. They apply the same open-throated approach to the works by Arvo Pärt with which the disc is bookended, and it is only here that there is any sense of a lack of authenticity. That, though, is simply because this synthetic lyricism injects a sound that has a contemplative disposition that is the essence of those pieces with a more soupy quality; but there is in no way any sense of compromised validity as a result – just difference.
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