Santiago a Cappella

A pilgrimage to Renaissance roots

Record and Artist Details

Composer or Director: King of Portugal John IV, Alonso Lobo, Tomás Luis de Victoria, Francisco Guerrero, Philippe Rogier, Anonymous, Manuel Cardoso

Genre:

Vocal

Label: Emarcy

Media Format: CD or Download

Media Runtime: 67

Mastering:

Stereo
DDD

Catalogue Number: 9867305

Tracks:

Composition Artist Credit
Ave virgo sanctissima Francisco Guerrero, Composer
Francisco Guerrero, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Lamentations Alonso Lobo, Composer
Alonso Lobo, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Crux fidelis King of Portugal John IV, Composer
John Eliot Gardiner, Conductor
King of Portugal John IV, Composer
Monteverdi Choir
O vos omnes, qui transitis per viam Tomás Luis de Victoria, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Tomás Luis de Victoria, Composer
O lux et decus Hispaniae Tomás Luis de Victoria, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Tomás Luis de Victoria, Composer
Duo Seraphim Francisco Guerrero, Composer
Francisco Guerrero, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Versa est in luctum Alonso Lobo, Composer
Alonso Lobo, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Non mortui Manuel Cardoso, Composer
John Eliot Gardiner, Conductor
Manuel Cardoso, Composer
Monteverdi Choir
Salva nos Domine Philippe Rogier, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
Philippe Rogier, Composer
Mariam matrem Virginem Anonymous, Composer
Anonymous, Composer
John Eliot Gardiner, Conductor
Monteverdi Choir
This impressive collection is the Monteverdi Choir going back, in a sense, to their roots, or even beyond them. One forgets, after so many years concentrating on the Baroque and later styles, that the origins of John Eliot Gardiner’s choir lie in earlier repertoire. They return to it here with gusto, illustrating their habitual superb choral blend, and a sense of pace and drama that the prize-strewn path of Bach and Mozart recordings has not in any way dampened.

Among the highlights are the taut rendition of Alonso Lobo’s monumental Lamentations and the blaze of glory that is the same composer’s Versa est in luctum, but Gardiner shows himself extremely sensitive to this late Iberian Renaissance style in general.

The only piece that actually has to do with the pilgrim route to Santiago de Compostela is the earliest, the lovely Maria matrem from the Llibre Vermell. This is mainly an excuse to assemble a marvellous collection of Iberian polyphony from a rather later period, and the collection is outstanding and the programme well conceived. Recommended.

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