SCRIABIN Complete Etutdes
View record and artist detailsRecord and Artist Details
Composer or Director: Alexander Scriabin
Genre:
Instrumental
Label: Champs Hill
Magazine Review Date: 09/2016
Media Format: CD or Download
Media Runtime: 135
Mastering:
DDD
Catalogue Number: CHRCD072
Tracks:
Composition | Artist Credit |
---|---|
(2) Pieces, Movement: Prélude |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(3) Pieces, Movement: No. 2, Prelude in F |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(4) Pieces, Movement: No. 2, Prélude in A minor |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(3) Pieces, Movement: No. 2, Prelude in B |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(3) Pieces, Movement: Prelude, E flat |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(4) Pieces, Movement: Prélude |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
Prelude and Nocturne for the left hand, Movement: Prelude |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(2) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(3) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(4) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(6) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(5) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(7) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
(24) Preludes |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Anthony Hewitt, Piano |
Author: Geoffrey Norris
But any similarities are only superficial, since Scriabin is already venturing into realms of harmony and texture that Chopin would not have envisaged. The curious, weightless B flat Prelude No 21, wandering from 3/4 to 5/4, is a case in point, but there are many other instances here, for all that the ear might reference Chopin’s ‘Revolutionary’ Study when it hears Scriabin’s tempestuous F minor Prelude, Op 17 No 5, from 1895. Many of these earlier preludes were composed contemporaneously with the 24 included in Op 11 but, as Hewitt shows in these instinctive, fully formed interpretations, each has a character of its own. When it comes to the late preludes, say from Op 59 No 2 onwards, Scriabin’s harmonic vocabulary can no longer be contained within any formal key signature, and Hewitt captures ideally the music’s poise between structure and fluidity, passionate drama and introspection, or, as Scriabin himself has it, the contrasts between belliqueux and douloureux.
Explore the world’s largest classical music catalogue on Apple Music Classical.
Included with an Apple Music subscription. Download now.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £9.20 / month
SubscribeGramophone Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £11.45 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.