SILVESTROV Hieroglyphen der Nacht
View record and artist detailsRecord and Artist Details
Composer or Director: Valentin Silvestrov
Genre:
Chamber
Label: ECM New Series
Magazine Review Date: 01/2018
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: 481 5692
Tracks:
Composition | Artist Credit |
---|---|
Elegie |
Valentin Silvestrov, Composer
Anja Lechner, Cello Valentin Silvestrov, Composer |
Augenblicke der Stille und Traurigkeit |
Valentin Silvestrov, Composer
Anja Lechner, Cello Valentin Silvestrov, Composer |
Lacrimosa |
Valentin Silvestrov, Composer
Anja Lechner, Cello Valentin Silvestrov, Composer |
Walzer der Alpenglöckchen |
Valentin Silvestrov, Composer
Anja Lechner, Cello Valentin Silvestrov, Composer |
(3) Pieces |
Valentin Silvestrov, Composer
Agnes Vesterman, Cello Anja Lechner, Cello Valentin Silvestrov, Composer |
2.VI.1810... zum Geburtstag R.A.Schumann |
Valentin Silvestrov, Composer
Agnes Vesterman, Cello Anja Lechner, Cello Valentin Silvestrov, Composer |
Serenaden |
Valentin Silvestrov, Composer
Agnes Vesterman, Cello Anja Lechner, Cello Valentin Silvestrov, Composer |
25.X.1893...In Memoriam P I Tchaikovsky |
Valentin Silvestrov, Composer
Agnes Vesterman, Cello Anja Lechner, Cello Valentin Silvestrov, Composer |
Author: Pwyll ap Siôn
The juxtaposition is made to sound even stranger by the familiarity of what follows. Two sets of homages – one to Schumann, the other to Tchaikovsky – demonstrate Silvestrov’s oft-quoted comment that his music ‘is a response to and an echo of what already exists’. The ‘Abendserenade’, an arrangement of the ‘Evening Serenade’ from the composer’s Silent Music, gives full vent to the first cello’s lyrical register, supported by delicate guitar-like pizzicatos on the second.
Perhaps even more surprising is that these two sharply contrasting worlds – dissonant, austere and inward-looking on the one hand, exuding a radiant tonal beauty on the other – often coexist in Silvestrov’s creative imagination, making it almost impossible to predict what might come next: a ‘hieroglyphic’ music, formed out of the very layers of history.
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