Songs to words by Victor Hugo
View record and artist detailsRecord and Artist Details
Composer or Director: Gabriel Fauré, Maude Valerie White, Edouard(-Victoire-Antoine) Lalo, Richard Wagner, Reynaldo Hahn, Camille Saint-Saëns, (Clément Philibert) Léo Delibes, Franz Liszt, Charles-François Gounod, Georges Bizet, César Franck
Label: Harmonia Mundi
Magazine Review Date: 5/1985
Media Format: CD or Download
Media Runtime: 0
Catalogue Number: HMC90 1138
Tracks:
| Composition | Artist Credit |
|---|---|
| Sérénade |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Guitare |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Adieux de l'hôtesse arabe |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Églogue |
(Clément Philibert) Léo Delibes, Composer
(Clément Philibert) Léo Delibes, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (2) Songs, Movement: No. 1, La papillon de la fleur (1861) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Songs, Movement: No. 3, L'Absent (wds. Hugo (1871) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| Puisqu'ici-bas |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Mélodies, Movement: L'attente (wds. V. Hugo) |
Richard Wagner, Composer
Felicity Lott, Soprano Graham Johnson, Piano Richard Wagner, Composer |
| Oh! quand je dors |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Comment, disaient-ils |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Soirée en mer |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (La) Fiancée du timbalier |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Chantez, chantez, jeune inspirée |
Maude Valerie White, Composer
Felicity Lott, Soprano Graham Johnson, Piano Maude Valerie White, Composer |
| Rêverie |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| Si mes vers avaient des ailes |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| S'il est un charmant gazon |
César Franck, Composer
César Franck, Composer Felicity Lott, Soprano Graham Johnson, Piano |
Composer or Director: Gabriel Fauré, Maude Valerie White, Edouard(-Victoire-Antoine) Lalo, Richard Wagner, Reynaldo Hahn, Camille Saint-Saëns, (Clément Philibert) Léo Delibes, Franz Liszt, Charles-François Gounod, Georges Bizet, César Franck
Label: Harmonia Mundi
Magazine Review Date: 5/1985
Media Format: Cassette
Media Runtime: 0
Catalogue Number: HMC40 1138
Tracks:
| Composition | Artist Credit |
|---|---|
| Sérénade |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Guitare |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Adieux de l'hôtesse arabe |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Églogue |
(Clément Philibert) Léo Delibes, Composer
(Clément Philibert) Léo Delibes, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (2) Songs, Movement: No. 1, La papillon de la fleur (1861) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Songs, Movement: No. 3, L'Absent (wds. Hugo (1871) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| Puisqu'ici-bas |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Mélodies, Movement: L'attente (wds. V. Hugo) |
Richard Wagner, Composer
Felicity Lott, Soprano Graham Johnson, Piano Richard Wagner, Composer |
| Oh! quand je dors |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Comment, disaient-ils |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Soirée en mer |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (La) Fiancée du timbalier |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Chantez, chantez, jeune inspirée |
Maude Valerie White, Composer
Felicity Lott, Soprano Graham Johnson, Piano Maude Valerie White, Composer |
| Rêverie |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| Si mes vers avaient des ailes |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| S'il est un charmant gazon |
César Franck, Composer
César Franck, Composer Felicity Lott, Soprano Graham Johnson, Piano |
Composer or Director: Gabriel Fauré, Maude Valerie White, Edouard(-Victoire-Antoine) Lalo, Richard Wagner, Reynaldo Hahn, Camille Saint-Saëns, (Clément Philibert) Léo Delibes, Franz Liszt, Charles-François Gounod, Georges Bizet, César Franck
Label: Harmonia Mundi
Magazine Review Date: 5/1985
Media Format: Vinyl
Media Runtime: 0
Catalogue Number: HMC1138
Tracks:
| Composition | Artist Credit |
|---|---|
| Sérénade |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Guitare |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Adieux de l'hôtesse arabe |
Georges Bizet, Composer
Felicity Lott, Soprano Georges Bizet, Composer Graham Johnson, Piano |
| Églogue |
(Clément Philibert) Léo Delibes, Composer
(Clément Philibert) Léo Delibes, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (2) Songs, Movement: No. 1, La papillon de la fleur (1861) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Songs, Movement: No. 3, L'Absent (wds. Hugo (1871) |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| Puisqu'ici-bas |
Gabriel Fauré, Composer
Felicity Lott, Soprano Gabriel Fauré, Composer Graham Johnson, Piano |
| (3) Mélodies, Movement: L'attente (wds. V. Hugo) |
Richard Wagner, Composer
Felicity Lott, Soprano Graham Johnson, Piano Richard Wagner, Composer |
| Oh! quand je dors |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Comment, disaient-ils |
Franz Liszt, Composer
Felicity Lott, Soprano Franz Liszt, Composer Graham Johnson, Piano |
| Soirée en mer |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| (La) Fiancée du timbalier |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Felicity Lott, Soprano Graham Johnson, Piano |
| Chantez, chantez, jeune inspirée |
Maude Valerie White, Composer
Felicity Lott, Soprano Graham Johnson, Piano Maude Valerie White, Composer |
| Rêverie |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| Si mes vers avaient des ailes |
Reynaldo Hahn, Composer
Felicity Lott, Soprano Graham Johnson, Piano Reynaldo Hahn, Composer |
| S'il est un charmant gazon |
César Franck, Composer
César Franck, Composer Felicity Lott, Soprano Graham Johnson, Piano |
Author:
As a collection, the songs on the first side are too pink and sky blue, too unvaryingly pretty. Interest and pleasure of another kind arise at the start of Side 2. There, for one thing, Hugo himself momentarily releases his muse from sentimental generality. He sees a squirrel climbing an oaktree, and brief refreshment of imagery as that provides (for it initiates a series of romantic picture-book images) it is enough to set Wagner off, pulse racing, ardour glowing. It is, as Graham Johnson says, an ''astonishing'' song, Wagner's L'attente. So is Liszt's Comment, Disaient-ils, so much brainier as a setting of Guitare than those by Bizet and Lalo that one scarcely recognizes it as the same poem. The two songs by Saint-Saens are remarkable too. The first, Soiree en mer, would not at all discredit Berlioz, whom in some touches it calls to mind. La fiancee du timbalier, as an imaginative, resourceful setting of a 20-verse poem, commands respect, though its climax may not chill quite as it should. After these, we are ready for the pinks of Hahn and Maude Valerie White, and even perhaps to return to Side 1 which also has its charm.
Felicity Lott sings honestly: with steady production, thoughtful phrasing, a genuine trill, and no suggestion of artifice or self-conscious sweetness. Some of the songs need bolder characterizing and richer vocal colours. Her Gounod Serenade is scrupulously precise where many singers blur the semiquavers; and in Oh, quand je dors she sustains beautifully the final phrase in which many lack support. Graham Johnson plays finely as ever, not least in the lazy distant tinkle of arpeggios in Si mes vers. A well-produced leaflet and the reproduction of a strikingly effective painting by Hugo on the sleeve front enhance the attractions.'
Felicity Lott sings honestly: with steady production, thoughtful phrasing, a genuine trill, and no suggestion of artifice or self-conscious sweetness. Some of the songs need bolder characterizing and richer vocal colours. Her Gounod Serenade is scrupulously precise where many singers blur the semiquavers; and in Oh, quand je dors she sustains beautifully the final phrase in which many lack support. Graham Johnson plays finely as ever, not least in the lazy distant tinkle of arpeggios in Si mes vers. A well-produced leaflet and the reproduction of a strikingly effective painting by Hugo on the sleeve front enhance the attractions.'
Songs to words by Victor Hugo
Songs to words by Victor Hugo
Songs to words by Victor Hugo
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