STRAUSS Die Frau ohne Schatten
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss
Genre:
Opera
Label: Mariinsky
Magazine Review Date: 02/2014
Media Format: Digital Versatile Disc
Media Runtime: 210
Mastering:
DDD
Catalogue Number: MAR0543
Tracks:
Composition | Artist Credit |
---|---|
(Die) Frau ohne Schatten |
Richard Strauss, Composer
Alexander Timchenko, Vision of a Boy, Tenor Avgust Amonov, Emperor, Tenor Edem Umerov, Barak, Baritone Evgeny Ulanov, Messenger of the Spirits, Baritone Liudmila Dudinova, Guardian of the Temple, Soprano Lydia Bobokhina, Heavenly Voice, Mezzo soprano Mariinsky Chorus Mariinsky Orchestra Mlada Khudoley, Empress, Soprano Olga Savova, Nurse, Soprano Olga Sergeyeva, Barak's Wife, Soprano Richard Strauss, Composer Tatiana Kravtsova, Voice of the Falcon, Soprano Valery Gergiev, Conductor |
Author:
There’s a lot of musical quality on show, not least from the virtuoso Mariinsky Orchestra, and Gergiev clearly knows how the piece goes, even if he favours speedy efficiency over warmth. Khudoley has a beautiful, soulfully lyrical voice and Olga Sergeeva throws everything at her performance as Barak’s wife, often with thrilling results. Edem Umerov’s pleasing bass-baritone is a good fit for Barak but Avgust Amanov makes a dreary Emperor, the voice grating and stiff, the acting standard semaphoring. Olga Savova is a forthright, fiery Nurse and there are solid voices in the smaller roles. But generally the engagement with the text is distressingly casual – pronunciation is atrocious; words get mangled and a couple even seem to have been made up; there’s little sense of anyone really knowing what they’re singing about. Dramatically speaking, then, the performance is inert and uninvolving, even if Strauss’s great score sweeps us along.
The sound and picture are both first rate, and Kent’s production, while unimaginative, presents the action with relative clarity, which Christof Loy’s enigmatic Salzburg production – uncut and superior in terms of cast and conducting – certainly doesn’t. With the older Solti and Sawallisch DVDs showing their age now, a universally recommendable modern Frau on film remains elusive.
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