Taneyev String Trios
A chamber master boldly going where no Russian had gone before
View record and artist detailsRecord and Artist Details
Composer or Director: Sergey Ivanovich Taneyev
Genre:
Chamber
Label: Hyperion
Magazine Review Date: 11/2008
Media Format: CD or Download
Media Runtime: 0
Mastering:
Stereo
Catalogue Number: CDA67573
Tracks:
Composition | Artist Credit |
---|---|
Trio for Violin, Viola and Tenor Viola |
Sergey Ivanovich Taneyev, Composer
Leopold String Trio Sergey Ivanovich Taneyev, Composer |
Trio for Strings in B minor |
Sergey Ivanovich Taneyev, Composer
Leopold String Trio Sergey Ivanovich Taneyev, Composer |
Trio for Strings in D |
Sergey Ivanovich Taneyev, Composer
Leopold String Trio Sergey Ivanovich Taneyev, Composer |
Author: David Fanning
Hyperion has wisely placed the finest of the three first. The E flat Trio (1910-11) is chronologically second, and apart from Taneyev’s usual craftsmanly values, there is a winning freedom of invention. The first movement has the confidence to go down inviting sidetracks, confident that there will be marvels to bring back. One of Taneyev’s trademark quick-witted scherzos follows – irresistibly charming – then a gorgeously warm-hearted slow movement, with plentiful florid yet never tasteless elaboration, and a jocund finale. Given that the lowest part of the E flat Trio was conceived and published for the tenor viola (tuned a fourth higher than the cello) there is some justification for Kate Gould’s occasional redistribution of the texture; though if anyone can dig out an example of the original instrument it would be fun to compare.
After this the unfinished B minor Trio (1913), partially reconstructed from sketches for its posthumous first publication, is a tougher nut, grainier in its texture and more heavily shadowed in its moods – a sober and impressive footnote to one of the great chamber music composing careers. The D major Trio (1879-80) is a perfectly respectable debut in the medium, checking every step of the way before boldly going where no major Russian composer had gone before.
It would be hard to over-praise the Leopold Trio’s performances. Agility and all-round aplomb? Check. Warmth and colour? Check. Structural and idiomatic awareness? Check. Fine recording quality and helpful annotation (Calum MacDonald) too; so no reason not to invest.
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