The Covid-19 Sessions
View record and artist detailsRecord and Artist Details
Genre:
Vocal
Label: Signum Classics
Magazine Review Date: 05/2022
Media Format: CD or Download
Media Runtime: 74
Mastering:
DDD
Catalogue Number: SIGCD819
Tracks:
Composition | Artist Credit |
---|---|
Finlandia |
Jean Sibelius, Composer
Cantus Choir |
Darest, O Soul |
MariEsabel Valverde, Composer
Cantus Choir |
Sunayama |
Shinpei Nakayama, Composer
Cantus Choir |
Steal Away |
Traditional, Composer
Cantus Choir |
Dawn over the ocean (Gryning vid havet) |
Hugo (Emil) Alfvén, Composer
Cantus Choir |
Shenandoah |
Traditional, Composer
Cantus Choir |
O frondens virga |
Abbess Hildegard of Bingen, Composer
Cantus Choir |
Lux aurumque |
Eric Whitacre, Composer
Cantus Choir |
It's Strange About Stars |
Melissa Dunphy, Composer
Cantus Choir |
Stars |
Eriks Esenvalds, Composer
Cantus Choir |
Beyond |
Chris Foss, Composer
Cantus Choir |
Be Like the Bird |
Abbie Betinis, Composer
Cantus Choir |
This Brightening Silence |
Kathleen Allen, Composer
Cantus Choir |
Wanting Memories |
Ysaÿe M Barnwell, Composer
Cantus Choir |
Ave Maria |
Franz Biebl, Composer
Cantus Choir |
There's a Meeting Here Tonight |
Bob Gibson, Composer
Cantus Choir |
That Which Remains |
Andrea Ramsey, Composer
Cantus Choir |
Yonder Come Day |
Traditional, Composer
Cantus Choir |
Lullabye 'Goodnight my Angel' |
Billy Joel, Composer
Cantus Choir |
Author: Alexandra Coghlan
Looking back in years to come, historians will find a musical time-capsule in the releases of the current period: recordings that commemorate, testify to, mourn, offer consolation or simply ponder this strangest of times. ‘The Covid 19 Sessions’ from American lower-voice ensemble Cantus is a classic of the new genre.
Recorded in March 2020, it’s the result of sessions snatched from the brink. With tours falling away and performances cancelled for the foreseeable, the octet got together in Minneapolis to shore some of their most treasured musical fragments against their imminent ruin.
Gathered from different seasonal and touring programmes, the result is inevitably diffuse, but some recurring ideas – sea voyages, the sky, songs of slavery – create an interesting constellation of thematic lines. The surging musical squall of Hugo Alfvén’s Gryning vid havet is all the more startling for being set against Japanese folk song Sunayama, lower voices rocking and soothing in a swelling sea-lullaby; Ešenvalds and Whitacre go head to head in their quest for sonic glow in Stars and Lux aurumque – though whether you prefer the brassy warmth of this TBarB ensemble or the cooler tones of SATB is a matter of personal preference.
A defining part of Cantus’s output is championing new music, and there’s plenty here. The quality, however, is variable. There’s a lot of fairly generic 21st-century Americana: blandly affirmative texts, homophonic settings, little counterpoint and no rhythm to speak of. More interesting is Abbie Betinis’s canonic Be like the bird, combining movement and stillness in its circling lines, and the gospel-folk simplicity of Ysaÿe M Barnwell’s Wanting Memories. Franz Biebl’s Ave Maria has become a bit of a modern classic – Rheinberger reinvented for the 20th century – and also gets a heartfelt performance.
Cantus are a class act vocally, prioritising personality and articulation over the kind of blend that dissolves individual voices. The result is forthright, folksy and direct, at its best in music of the same spirit. So listen to the Sibelius, the Biebl, even the Billy Joel, and maybe skip over some of the rest.
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