The Essential Leontyne Price
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss, Traditional, George Gershwin, Jules (Emile Frédéric) Massenet, Giacomo Puccini, Wolfgang Amadeus Mozart, Gabriel Fauré, Francis Poulenc, Samuel Barber, May Hannah Brahe, Albert Hay Malotte, Hugo (Filipp Jakob) Wolf, Giuseppe Verdi, Robert Schumann, Robert Lowry, John Bacchus Dykes, Henry Purcell, Georges Bizet, Ludwig van Beethoven, Samuel Augustus Ward, Martin Luther, William Howard Doane, Franz Schubert, John Rosamond Johnson, Charles C. Converse, Francesco Cilea, Samuel Sebastian Wesley, Johannes Brahms, Hector Berlioz, Pyotr Ilyich Tchaikovsky, Charles-François Gounod, Vincenzo Bellini, Phoebe Palmer Knapp
Label: Gold Seal
Magazine Review Date: 11/1996
Media Format: CD or Download
Media Runtime: 0
Mastering:
DDD
ADD
Catalogue Number: 09026 68153-2

Tracks:
Composition | Artist Credit |
---|---|
Aida, Movement: ~ |
Giuseppe Verdi, Composer
(John) Alldis Choir Erich Leinsdorf, Conductor Giuseppe Verdi, Composer Grace Bumbry, Mezzo soprano Leontyne Price, Soprano London Symphony Orchestra Plácido Domingo, Tenor Sherrill Milnes, Baritone |
(Un) ballo in maschera, '(A) masked ball', Movement: ~ |
Giuseppe Verdi, Composer
Carlo Bergonzi, Tenor Erich Leinsdorf, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra Robert Merrill, Baritone |
Don Carlo, Movement: Tu che le vanità |
Giuseppe Verdi, Composer
Fausto Cleva, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano London Symphony Orchestra |
Ernani, Movement: ~ |
Giuseppe Verdi, Composer
Carlo Bergonzi, Tenor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Chorus RCA Italiana Opera Orchestra Thomas Schippers, Conductor |
Ernani, Movement: Oro, Quant'oro |
Giuseppe Verdi, Composer
Carlo Bergonzi, Tenor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Chorus RCA Italiana Opera Orchestra Thomas Schippers, Conductor |
Ernani, Movement: Ah, morir |
Giuseppe Verdi, Composer
Carlo Bergonzi, Tenor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Chorus RCA Italiana Opera Orchestra Thomas Schippers, Conductor |
(La) forza del destino, '(The) force of destiny', Movement: ~ |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Chorus RCA Italiana Opera Orchestra Thomas Schippers, Conductor |
(La) forza del destino, '(The) force of destiny', Movement: Pace, pace, mio Dio |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Chorus RCA Italiana Opera Orchestra Thomas Schippers, Conductor |
Macbeth, Movement: ~ |
Giuseppe Verdi, Composer
Corinna Vozza, Mezzo soprano Francesco Molinari-Pradelli, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra Robert El Hage, Bass |
Otello, Movement: ~ |
Giuseppe Verdi, Composer
Corinna Vozza, Mezzo soprano Francesco Molinari-Pradelli, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
Otello, Movement: Ave Maria |
Giuseppe Verdi, Composer
Corinna Vozza, Mezzo soprano Francesco Molinari-Pradelli, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
(La) traviata, Movement: ~ |
Giuseppe Verdi, Composer
Fausto Cleva, Conductor Giuseppe Verdi, Composer Leontyne Price, Soprano London Symphony Orchestra Ryland Davies, Tenor |
(Il) trovatore, Movement: ~ |
Giuseppe Verdi, Composer
Arturo Basile, Conductor Giuseppe Verdi, Composer Laura Londi, Soprano Leontyne Price, Soprano Mario Carlin, Tenor Rome Opera Orchestra |
Messa da Requiem, Movement: Recordare |
Giuseppe Verdi, Composer
Chicago Symphony Chorus Chicago Symphony Orchestra Georg Solti, Conductor Giuseppe Verdi, Composer Janet Baker, Mezzo soprano Leontyne Price, Soprano |
Messa da Requiem, Movement: Agnus Dei |
Giuseppe Verdi, Composer
Chicago Symphony Chorus Chicago Symphony Orchestra Georg Solti, Conductor Giuseppe Verdi, Composer Janet Baker, Mezzo soprano Leontyne Price, Soprano |
Così fan tutte, Movement: Soave sia il vento |
Wolfgang Amadeus Mozart, Composer
Erich Leinsdorf, Conductor Ezio Flagello, Bass Leontyne Price, Soprano New Philharmonia Orchestra Tatiana Troyanos, Mezzo soprano Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Erich Leinsdorf, Conductor Ezio Flagello, Bass Leontyne Price, Soprano New Philharmonia Orchestra Tatiana Troyanos, Mezzo soprano Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: Ah guarda, sorella |
Wolfgang Amadeus Mozart, Composer
James Levine, Conductor Leontyne Price, Soprano Marilyn Horne, Mezzo soprano New York Metropolitan Opera Orchestra Wolfgang Amadeus Mozart, Composer |
Don Giovanni, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Francesco Molinari-Pradelli, Conductor Leontyne Price, Soprano Piero de Palma, Tenor RCA Italiana Opera Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Francesco Molinari-Pradelli, Conductor Leontyne Price, Soprano RCA Italiana Opera Orchestra Wolfgang Amadeus Mozart, Composer |
(La) Bohème, 'Bohemian Life', Movement: Donde lieta uscì (Mimì's farewell) |
Giacomo Puccini, Composer
Edward Downes, Conductor Giacomo Puccini, Composer Leontyne Price, Soprano New Philharmonia Orchestra |
Madama Butterfly, Movement: Un bel dì vedremo |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
Madama Butterfly, Movement: ~ |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
Manon Lescaut, Movement: In quelle trine morbide |
Giacomo Puccini, Composer
Edward Downes, Conductor Giacomo Puccini, Composer Leontyne Price, Soprano New Philharmonia Orchestra |
Manon Lescaut, Movement: Sola, perduta, abbandonata |
Giacomo Puccini, Composer
Edward Downes, Conductor Giacomo Puccini, Composer Leontyne Price, Soprano New Philharmonia Orchestra |
Manon Lescaut, Movement: ~ |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano London Symphony Orchestra Nello Santi, Conductor Plácido Domingo, Tenor |
(La) Rondine, '(The) Swallow', Movement: Chi il bel sogno di Doretta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
(La) Rondine, '(The) Swallow', Movement: Ore dolci e divine |
Giacomo Puccini, Composer
Edward Downes, Conductor Giacomo Puccini, Composer Leontyne Price, Soprano New Philharmonia Orchestra |
Suor Angelica, 'Sister Angelica', Movement: Senza mamma, O bimbo |
Giacomo Puccini, Composer
Francesco Molinari-Pradelli, Conductor Giacomo Puccini, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
Tosca, Movement: Vissi d'arte |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
Turandot, Movement: Signore, ascolta! |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
Turandot, Movement: Tu, che di gel sei cinta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Leontyne Price, Soprano Oliviero De Fabritiis, Conductor Rome Opera Orchestra |
(Les) Dialogues des Carmélites, Movement: Mes filles, voilà que s'achève |
Francis Poulenc, Composer
Edward Downes, Conductor Francis Poulenc, Composer Leontyne Price, Soprano London Symphony Orchestra |
Fidelio, Movement: ~ |
Ludwig van Beethoven, Composer
Fausto Cleva, Conductor Leontyne Price, Soprano London Symphony Orchestra Ludwig van Beethoven, Composer |
Carmen, Movement: L'amour est un oiseau rebelle (Habanera) |
Georges Bizet, Composer
Franco Corelli, Tenor Georges Bizet, Composer Herbert von Karajan, Conductor Leontyne Price, Soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus |
Carmen, Movement: ~ |
Georges Bizet, Composer
Franco Corelli, Tenor Georges Bizet, Composer Herbert von Karajan, Conductor Leontyne Price, Soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus |
Carmen, Movement: C'est toi! (Finale). |
Georges Bizet, Composer
Franco Corelli, Tenor Georges Bizet, Composer Herbert von Karajan, Conductor Leontyne Price, Soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus |
Eugene Onegin, Movement: Let me perish, but first let me summon (Puskai pogo pryezde) |
Pyotr Ilyich Tchaikovsky, Composer
Fausto Cleva, Conductor Leontyne Price, Soprano London Symphony Orchestra Pyotr Ilyich Tchaikovsky, Composer |
Manon, Movement: ~ |
Jules (Emile Frédéric) Massenet, Composer
Francesco Molinari-Pradelli, Conductor Jules (Emile Frédéric) Massenet, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
Dido and Aeneas, Movement: Thy hand, Belinda |
Henry Purcell, Composer
Francesco Molinari-Pradelli, Conductor Henry Purcell, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
Dido and Aeneas, Movement: When I am laid in earth |
Henry Purcell, Composer
Francesco Molinari-Pradelli, Conductor Henry Purcell, Composer Leontyne Price, Soprano RCA Italiana Opera Orchestra |
Norma, Movement: ~ |
Vincenzo Bellini, Composer
James Levine, Conductor Leontyne Price, Soprano Marilyn Horne, Mezzo soprano New York Metropolitan Opera Orchestra Vincenzo Bellini, Composer |
Porgy and Bess, Movement: Summertime |
George Gershwin, Composer
George Gershwin, Composer Leontyne Price, Soprano RCA Victor Orchestra Skitch Henderson, Conductor William Warfield, Baritone |
Porgy and Bess, Movement: Bess, you is my woman now |
George Gershwin, Composer
George Gershwin, Composer Leontyne Price, Soprano RCA Victor Orchestra Skitch Henderson, Conductor William Warfield, Baritone |
Porgy and Bess, Movement: I loves you, Porgy |
George Gershwin, Composer
George Gershwin, Composer Leontyne Price, Soprano RCA Victor Orchestra Skitch Henderson, Conductor William Warfield, Baritone |
Antony and Cleopatra, Movement: Give me my robe |
Samuel Barber, Composer
Leontyne Price, Soprano New Philharmonia Orchestra Samuel Barber, Composer Thomas Schippers, Conductor |
Vanessa, Movement: Do not utter a word, Anatol |
Samuel Barber, Composer
Francesco Molinari-Pradelli, Conductor Leontyne Price, Soprano RCA Italiana Opera Orchestra Samuel Barber, Composer |
Knoxville: Summer of 1915 |
Samuel Barber, Composer
Leontyne Price, Soprano New Philharmonia Orchestra Samuel Barber, Composer Thomas Schippers, Conductor |
(Die) Aegyptische Helena, Movement: Zweite Brautnacht! |
Richard Strauss, Composer
Boston Symphony Orchestra Erich Leinsdorf, Conductor Leontyne Price, Soprano Richard Strauss, Composer |
Ariadne auf Naxos, Movement: ~ |
Richard Strauss, Composer
Fausto Cleva, Conductor Leontyne Price, Soprano London Symphony Orchestra Richard Strauss, Composer |
(Die) Frau ohne Schatten, Movement: Sieh - Amme - sieh |
Richard Strauss, Composer
Ambrosian Opera Chorus Erich Leinsdorf, Conductor Leontyne Price, Soprano New Philharmonia Orchestra Patricia Clark, Soprano Richard Strauss, Composer |
(Die) Frau ohne Schatten, Movement: Zum Lebenswasser! |
Richard Strauss, Composer
Ambrosian Opera Chorus Erich Leinsdorf, Conductor Leontyne Price, Soprano New Philharmonia Orchestra Patricia Clark, Soprano Richard Strauss, Composer |
(Die) Frau ohne Schatten, Movement: Wehe, mein Mann! |
Richard Strauss, Composer
Ambrosian Opera Chorus Erich Leinsdorf, Conductor Leontyne Price, Soprano New Philharmonia Orchestra Patricia Clark, Soprano Richard Strauss, Composer |
Salome, Movement: Ach, du wolltest mich nicht deinen Mund küssen lassen |
Richard Strauss, Composer
Boston Symphony Orchestra Erich Leinsdorf, Conductor Leontyne Price, Soprano Richard Strauss, Composer |
(4) Letzte Lieder, '(4) Last Songs' |
Richard Strauss, Composer
Erich Leinsdorf, Conductor Leontyne Price, Soprano New Philharmonia Orchestra Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 8, Allerseelen |
Richard Strauss, Composer
David Garvey, Piano Leontyne Price, Soprano Richard Strauss, Composer |
(6) Lieder aus Lotusblättern, Movement: No. 4, Wie sollten wir geheim sie halten |
Richard Strauss, Composer
David Garvey, Piano Leontyne Price, Soprano Richard Strauss, Composer |
(3) Lieder, Movement: No. 2, Schlagende Herzen |
Richard Strauss, Composer
David Garvey, Piano Leontyne Price, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Freundliche Vision (wds. Bierbaum: orch 1918) |
Richard Strauss, Composer
David Garvey, Piano Leontyne Price, Soprano Richard Strauss, Composer |
(Les) Nuits d'été |
Hector Berlioz, Composer
Chicago Symphony Orchestra Fritz Reiner, Conductor Hector Berlioz, Composer Leontyne Price, Soprano |
(3) Songs, Movement: No. 1, Au bord de l'eau (wds. Prudhomme: 1875) |
Gabriel Fauré, Composer
David Garvey, Piano Gabriel Fauré, Composer Leontyne Price, Soprano |
(3) Songs, Movement: No. 2, Notre amour (wds. Silvestre: c1879) |
Gabriel Fauré, Composer
David Garvey, Piano Gabriel Fauré, Composer Leontyne Price, Soprano |
(2) Songs, Movement: No. 2, Clair de lune (wds. Verlaine) |
Gabriel Fauré, Composer
David Garvey, Piano Gabriel Fauré, Composer Leontyne Price, Soprano |
(4) Songs, Movement: No. 2, Au cimetière (wds. Richepin: 1888) |
Gabriel Fauré, Composer
David Garvey, Piano Gabriel Fauré, Composer Leontyne Price, Soprano |
(5) Mélodies, Movement: No. 1, Mandoline |
Gabriel Fauré, Composer
David Garvey, Piano Gabriel Fauré, Composer Leontyne Price, Soprano |
Ce doux petit visage |
Francis Poulenc, Composer
David Garvey, Piano Francis Poulenc, Composer Leontyne Price, Soprano |
Miroirs brûlants |
Francis Poulenc, Composer
David Garvey, Piano Francis Poulenc, Composer Leontyne Price, Soprano |
Main dominée par le coeur |
Francis Poulenc, Composer
David Garvey, Piano Francis Poulenc, Composer Leontyne Price, Soprano |
Frauenliebe und -leben |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Liederkreis, Movement: No. 5, Schöne Wiege meiner Leiden |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Myrthen, Movement: No. 1, Widmung (wds. Rückert) |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
(12) Gedichte, Movement: No. 1, Lust der Sturmnacht |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Lieder und Gesänge II, Movement: No. 2, Volksliedchen (wds. Rückert) |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Lieder-Album für die Jugend, Movement: No. 23, Er ist's (wds. Mörike) |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Lieder-Album für die Jugend, Movement: No. 28, Mignon (wds. Goethe) |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
Lieder und Gesänge aus Wilhelm Meister, Movement: No. 5, Heiss mich nicht reden |
Robert Schumann, Composer
David Garvey, Piano Leontyne Price, Soprano Robert Schumann, Composer |
(6) Lieder für eine Frauenstimme, Movement: Morgentau (wds. anon) |
Hugo (Filipp Jakob) Wolf, Composer
David Garvey, Piano Hugo (Filipp Jakob) Wolf, Composer Leontyne Price, Soprano |
Mörike Lieder, Movement: Der Gärtner |
Hugo (Filipp Jakob) Wolf, Composer
David Garvey, Piano Hugo (Filipp Jakob) Wolf, Composer Leontyne Price, Soprano |
Mörike Lieder, Movement: Lebe wohl |
Hugo (Filipp Jakob) Wolf, Composer
David Garvey, Piano Hugo (Filipp Jakob) Wolf, Composer Leontyne Price, Soprano |
Spanisches Liederbuch, 'Spanish Songbook', Movement: Geh' Geliebter (trans Geibel) |
Hugo (Filipp Jakob) Wolf, Composer
David Garvey, Piano Hugo (Filipp Jakob) Wolf, Composer Leontyne Price, Soprano |
Ev'ry time I feel de spirit |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Let us break bread together |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
His name so sweet |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Roun' about De Mountain |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Swing low, sweet chariot |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Sit down, servant |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Were you there when they crucified my Lord? |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
He's got the whole world in His hands |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Deep River |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Honor, Honor |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
My soul's been anchored in de Lord |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
On Ma Journey |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
City called Heaven |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
Ride on, King Jesus |
Traditional, Composer
(Anonymous) Orchestra Chorus Leonard de Paur, Conductor Leontyne Price, Soprano Traditional, Composer |
I wish I knew how it would feel to be free |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
Sinner, please don't let this harvest pass |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
Sweet Little Jesus Boy |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
There is a balm in Gilead |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
Let us cheer the weary traveler |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
My way is cloudy |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
Nobody knows de trouble I've seen |
Traditional, Composer
Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
I couldn't hear nobody pray |
Traditional, Composer
Connally Walton, Tenor Lassaye Van Buren Holmes, Conductor Leontyne Price, Soprano Rust College Choir Traditional, Composer |
Holy! Holy! Holy! Lord God Almighty |
John Bacchus Dykes, Composer
George Decker, Organ John Bacchus Dykes, Composer Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Lead, kindly light |
John Bacchus Dykes, Composer
George Decker, Organ John Bacchus Dykes, Composer Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Blessed assurance |
Phoebe Palmer Knapp, Composer
George Decker, Organ Leontyne Price, Soprano Phoebe Palmer Knapp, Composer St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Ave Maria, 'Ellens Gesang III' |
Franz Schubert, Composer
Franz Schubert, Composer George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Self, Conductor |
What a friend we have in Jesus |
Charles C. Converse, Composer
Charles C. Converse, Composer George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Amazing Grace |
Traditional, Composer
George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) Traditional, Composer William Self, Conductor |
(The) Lord's Prayer |
Albert Hay Malotte, Composer
Albert Hay Malotte, Composer George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Pass me not, o gentle Saviour |
William Howard Doane, Composer
George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) William Howard Doane, Composer William Self, Conductor |
(The) Church's one foundation |
Samuel Sebastian Wesley, Composer
George Decker, Organ Leontyne Price, Soprano Samuel Sebastian Wesley, Composer St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Bless this house |
May Hannah Brahe, Composer
George Decker, Organ Leontyne Price, Soprano May Hannah Brahe, Composer St Thomas Episcopal Church Choir (New York) William Self, Conductor |
I need Thee every hour |
Robert Lowry, Composer
George Decker, Organ Leontyne Price, Soprano Robert Lowry, Composer St Thomas Episcopal Church Choir (New York) William Self, Conductor |
Fairest Lord Jesus |
Traditional, Composer
George Decker, Organ Leontyne Price, Soprano St Thomas Episcopal Church Choir (New York) Traditional, Composer William Self, Conductor |
I wonder as I wander |
Traditional, Composer
(Arthur) Fiedler Orchestra Arthur Fiedler, Conductor Leontyne Price, Soprano Traditional, Composer |
Ave Maria |
Charles-François Gounod, Composer
(Arthur) Fiedler Orchestra Arthur Fiedler, Conductor Charles-François Gounod, Composer Leontyne Price, Soprano |
America the Beautiful |
Samuel Augustus Ward, Composer
Ambrosian Singers Charles Gerhardt, Conductor Leontyne Price, Soprano National Philharmonic Orchestra Samuel Augustus Ward, Composer |
Lift every voice and sing |
John Rosamond Johnson, Composer
Charles Gerhardt, Conductor John Rosamond Johnson, Composer Leontyne Price, Soprano National Philharmonic Orchestra |
Ein feste Burg ist unser Gott |
Martin Luther, Composer
Ambrosian Singers Charles Gerhardt, Conductor Leontyne Price, Soprano Martin Luther, Composer National Philharmonic Orchestra |
Battle Hymn of the Republic |
Traditional, Composer
Ambrosian Singers Charles Gerhardt, Conductor Leontyne Price, Soprano National Philharmonic Orchestra Traditional, Composer |
(11) Zigeunerlieder, Movement: No. 1, He, Zigeuner, greife |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 2, Hochgetürmte Rimaflut |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 3, Wisst ihr, wann mein Kindchen |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 4, Lieber Gott, du weisst |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 5, Brauner Bursche führt zum Tanze |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 6, Röslein dreie in der Reihe |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 7, Kommt dir manchmal |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
(11) Zigeunerlieder, Movement: No. 11, Rote Abendwolken ziehn |
Johannes Brahms, Composer
David Garvey, Piano Johannes Brahms, Composer Leontyne Price, Soprano |
Adriana Lecouvreur, Movement: ~ |
Francesco Cilea, Composer
David Garvey, Piano Francesco Cilea, Composer Leontyne Price, Soprano |
This little light of mine |
Traditional, Composer
David Garvey, Piano Leontyne Price, Soprano Traditional, Composer |
Author: Patrick O'Connor
The moment anyone puts a title like “essential” on a disc, or even 11 discs, one’s question is “but what about?” I was surprised that her recital of Broadway show tunes with Andre Previn isn’t included, nor Barber’s Hermit Songs, from the various roles most closely associated with Price, the entrance of Butterfly and the Act 3 duet with Radames from Aida both seem like omissions.
Even the most devoted admirer will ask whether they need to lash out on such a big set. After all, if you are a Price fan you will probably have quite a few of these records already. The selection restores to the catalogue her recital of opera scenes, including Tatyana’s Letter Scene from Eugene Onegin, in Russian, though on stage she sang the part in English. This disc also includes three roles she never sang on stage, Violetta, Leonore in Fidelio and Elisabeth de Valois in Don Carlo. The sleeve-notes for the original issue of this disc were written by Virgil Thomson, no less. He praised Price above all for her “structural understanding”. Reviewing the original LP issue (4/72) Andrew Porter was critical of Cleva’s conducting, and suggested that Price needed someone with more command. This is very noticeable when one leaps from “Abscheulicher!” to “Senza mamma” and then to the “Habanera” from Carmen. (Such haphazard programming is the drawback on all such compilations it seems.) Karajan’s superb rapport with Price drew from her one of her most enduring performances, also of a role she never sang on stage, but one would never guess it.
For those who have already invested in the four-CD set “The Prima Donna Collection” (12/92), it may be comforting to know that of the 120-or-so items in this collection, only ten are taken from those CDs. Of those items that have never been issued before or that are new to the UK, it is especially interesting to hear an extract from a Lieder recital in 1965, with Price in great form in Brahms’s Zigeunerlieder. She is accompanied by David Garvey, who was one of the key people in her career, as she mentions in the light-hearted and touching interview with the late John Pfeiffer that ends the set. Price’s career as a recitalist was under-represented in her recording career and in particular there is hardly anything of her large repertory of American song. If this is just one example of Price recorded live in recital that is lurking in the archives (she gave regular recitals at Salzburg, so there may be some Festspieldokumente) I hope RCA will give us some more, concentrating on American song.
The basic outline of this set begins with four CDs of opera arias, the first naturally devoted to Verdi and the five roles that will always be associated with Price – Aida, Amelia, the two Leonoras and Elvira in Ernani. The Forza arias are taken from the earlier set, conducted by Schippers (the right choice in my opinion), but rather than the extracts from the 1970 Leinsdorf Aida, it might have been interesting to hear the even earlier recital versions under de Fabritiis. From that early disc, her account of “Che il bel sogno di Doretta” from La rondine, shows the voice at its most beautiful, full in the lower range with a soaring, creamy tone on high. The microphone always seemed to highlight a slight ‘catch’ in her voice that wasn’t noticeable in the concert-hall or opera house. Jumping around from composer to composer and ranging over 25 years, these opera arias accentuate the difference in Price’s voice from the free-and-easy days of the 1950s and 1960s to the much more studied, cautious later recordings.
There are two CDs of duets, a glorious Butterfly Act 1 duet with Richard Tucker, incomparable Act 2 Ballo with Bergonzi and the great, dramatic confrontation with Milnes from Act 4 of Trovatore. Yes, one says, these indeed are essential Price. From a live recital at Lincoln Center in the early 1980s come four duets with Marilyn Horne. The occasion was obviously one of great emotion, the curiosity is “Mira, O Norma”. Horne is on safe ground here, Price gets through it, to the audience’s delight. Butterfly, Aida and Cosi fan tutte follow. One would love to have been there, one listens with pleasure, once.
Discs seven and eight are devoted to song.
The whole of her first recital disc with David Garvey is included, especially valuable for the Poulenc songs; although the Miroirs brulants are intended for a male voice, Poulenc himself especially admired Price’s performance of them. The Strauss songs from 1959 are beautiful, they rather show up the later performance of the Vier letzte Lieder; the best part of this Strauss recital with Leinsdorf is the Empress’s Awakening Scene. Though in her interview Price says that she doesn’t regret not singing any of the roles she essayed in recital, there is always a feeling of “ah, what might have been”.
Alec Robertson gave the Schumann recital, including
The spirituals and hymns are sung with fervour and beauty of tone and line. “They are the expresion of me as an American, of me as a human being,” Price says in her introduction, and when one hears her sing, for instance, a most beautiful unaccompanied Were you there, it is easy to understand. The latest performance on the set is of a favourite song of her mother,
Price’s performances and recordings have never roused the controversy that surrounds Callas’s, Schwarzkopf’s or Sutherland’s; she likens herself to a “vocal impressionist … I have colours in [the voice] that I take like a palette”. Staying with this rich and characterful voice for several days, one is impressed again and again by the range of expression and tone she finds. Think of Price, and her Verdi performances naturally come to mind first. Listen to these CDs and what you may be left with is a memory instead of a Schumann song, “Schone Wiege meiner Leiden”, from the Liederkreis, Op. 24, a spiritual or the voluptuous beauty of much of
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