Verdi Rigoletto
A routine account that nevertheless gives a valuable record of Kraus’s model Duke
View record and artist detailsRecord and Artist Details
Composer or Director: Giuseppe Verdi
Genre:
Opera
Label: Hardy Classics
Magazine Review Date: 11/2002
Media Format: Digital Versatile Disc
Media Runtime: 160
Mastering:
Stereo
Catalogue Number: HCD 4001

Tracks:
Composition | Artist Credit |
---|---|
Rigoletto |
Giuseppe Verdi, Composer
Alfredo Kraus, Duke, Tenor Ambra Vespasiani, Maddalena, Contralto (Female alto) Angelo Campori, Conductor Angelo Nosotti, Monterone, Bass Desdemona Malvisi, Giovanna, Soprano Emilia Romagna 'Arturo Toscanini' Symphony Orchestra Gianfranco Manganotti, Borsa, Tenor Giuseppe Verdi, Composer Lea Kalj, Countess Ceprano, Mezzo soprano Leo Nucci, Rigoletto, Baritone Luciana Serra, Gilda, Soprano Marcello Crisman, Count Ceprano, Bass Michele Pertusi, Sparafucile, Bass Parma Teatro Regio Chorus Renzo Magnani, Marullo, Baritone Roberta Quartieri, Page, Mezzo soprano Tiziano Tomassone, Usher, Bass |
Author: Alan Blyth
The main reason for issuing this DVD of a new production at Parma in 1987 must be Alfredo Kraus’s ageless Duke of Mantua. In his 60th year he was able to sing the role better than most tenors half his age. His sense of Verdian style, seemingly ageless voice and command of breath remain things to wonder at. Add to that his debonair presence on stage and one realises why he was, and is, a model in this part, one any aspiring interpreter should follow. He makes Marcelo Alvarez in the Covent Garden production listed above seem, for all his vocal splendour, like a novice.
In most other respects the Downes-conducted version is to be preferred. Here, Serra offers a purely sung but ever-so slightly squeaky Gilda and a blank interpretation. Nucci, though far better than in his much more recent Rigoletto from Verona on DVD, gives a routine account of the title part, firmly sung but with no special insights into the part, no match for Paolo Gavanelli at Covent Garden. The other roles are no more than adequately dispatched. The conducting is prompt, little more. Samaritani’s production, after the opening scene, prefers darkness to light, taking the choice to extremes in Rigoletto’s abode. He directs his singers naturally, with no gimmicks. We are told that the video was made only for the theatre, but has been issued for its historic importance, which probably explains the indifferent camera-work and lighting. By contrast the sound picture is excellent. The Parma audience, as is its wont, cheers and boos with equal aplomb.
In most other respects the Downes-conducted version is to be preferred. Here, Serra offers a purely sung but ever-so slightly squeaky Gilda and a blank interpretation. Nucci, though far better than in his much more recent Rigoletto from Verona on DVD, gives a routine account of the title part, firmly sung but with no special insights into the part, no match for Paolo Gavanelli at Covent Garden. The other roles are no more than adequately dispatched. The conducting is prompt, little more. Samaritani’s production, after the opening scene, prefers darkness to light, taking the choice to extremes in Rigoletto’s abode. He directs his singers naturally, with no gimmicks. We are told that the video was made only for the theatre, but has been issued for its historic importance, which probably explains the indifferent camera-work and lighting. By contrast the sound picture is excellent. The Parma audience, as is its wont, cheers and boos with equal aplomb.
Discover the world's largest classical music catalogue with Presto Music.

Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
Subscribe
Gramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.