Bach Neumeister Chorales
Early - yet highly innovative - Bach in attractive performances, enhanced by the beautiful sound of this Metzler organ
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Sebastian Bach
Label: Hyperion
Magazine Review Date: 3/2000
Media Format: CD or Download
Media Runtime: 80
Mastering:
DDD
Catalogue Number: CDA67215

Tracks:
Composition | Artist Credit |
---|---|
Chorale Preludes, Movement: Vater unser im Himmelreich, BWV737 |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Chorale Preludes, Movement: Ach Gott und Herr, BWV714 |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Chorale Preludes, Movement: Der Tag, der ist freudenreich, BWV719 (doubtful) |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Chorale Preludes, Movement: Ach Herr, mich armen Sünder, BWV742 (spurious) |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Machs mit mir, Gott, nach deiner Güt |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Chorale Preludes from the Neumeister Collection |
Johann Sebastian Bach, Composer
Christopher Herrick, Organ Johann Sebastian Bach, Composer |
Author: Christopher Nickol
These 38 chorale preludes come from a collection of 83 pieces compiled in the 18th century by Johann Gottfried Neumeister. The collection eventually made its way to Yale University, where it was discovered by the Bach scholar Christoph Wolff. Bach's preludes are early works, and as Wolff so aptly wrote: 'Already there is innovation. There is a degree of originality and sophistication that is really quite remarkable.'
Herrick gives clear, attractive performances with rhythmic articulation and lively ornamentation. Some listeners may find his playing too calculated and self-conscious; however, these are sprightly readings, free of excessive mannerisms. The most enjoyable aspect of the CD is the way Herrick gives each chorale prelude its own distinct sound world, despite having only a nine-stop, one-manual Metzler organ. This instrument is one of the most beautiful organs I have ever heard, and Herrick exploits every conceivable combination of stops to achieve a pleasing variety of colour.
The organ is well recorded, too, though some may find it a little too closely miked. The informative booklet includes a list of the stops which Herrick uses for each prelude. To quote from the booklet: 'There is tremendous variety and imagination in this collection, and these little-known pieces surely deserve to be more widely appreciated ... 'This CD indeed succeeds in converting me to these preludes; I'll definitely add them to my repertoire this year.'
Herrick gives clear, attractive performances with rhythmic articulation and lively ornamentation. Some listeners may find his playing too calculated and self-conscious; however, these are sprightly readings, free of excessive mannerisms. The most enjoyable aspect of the CD is the way Herrick gives each chorale prelude its own distinct sound world, despite having only a nine-stop, one-manual Metzler organ. This instrument is one of the most beautiful organs I have ever heard, and Herrick exploits every conceivable combination of stops to achieve a pleasing variety of colour.
The organ is well recorded, too, though some may find it a little too closely miked. The informative booklet includes a list of the stops which Herrick uses for each prelude. To quote from the booklet: 'There is tremendous variety and imagination in this collection, and these little-known pieces surely deserve to be more widely appreciated ... 'This CD indeed succeeds in converting me to these preludes; I'll definitely add them to my repertoire this year.'
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