Bird Songs at Eventide

Record and Artist Details

Composer or Director: Liza Lehmann, Arthur A Penn, Charles Wakefield Cadman, May Hannah Brahe, Josephine McGill, Wilfred Sanderson, Haydn Wood, Cécile (Louise Stèphanie) Chaminade, Arthur F(rank) Tate, Granville Bantock, Roger Quilter, Teresa Del Riego, Eric Coates, George Whitefield Chadwick, Arthur (Seymour) Sullivan, Amy Woodforde-Finden, Vincent O'Brien, Frances Allitsen, Oley Speaks, Hermann Löhr

Label: Helios

Media Format: CD or Download

Media Runtime: 74

Mastering:

Stereo
DDD

Catalogue Number: CDA66818

Tracks:

Composition Artist Credit
Birdsongs at Eventide Eric Coates, Composer
Eric Coates, Composer
Robert White, Tenor
Stephen Hough, Piano
Duna Josephine McGill, Composer
Josephine McGill, Composer
Robert White, Tenor
Stephen Hough, Piano
At dawning, 'I love you' Charles Wakefield Cadman, Composer
Charles Wakefield Cadman, Composer
Robert White, Tenor
Stephen Hough, Piano
(L') anneau d'argent Cécile (Louise Stèphanie) Chaminade, Composer
Cécile (Louise Stèphanie) Chaminade, Composer
Robert White, Tenor
Stephen Hough, Piano
Song to the seals Granville Bantock, Composer
Granville Bantock, Composer
Robert White, Tenor
Stephen Hough, Piano
(The) Fairy tree Vincent O'Brien, Composer
Robert White, Tenor
Stephen Hough, Piano
Vincent O'Brien, Composer
(The) Lost chord Arthur (Seymour) Sullivan, Composer
Arthur (Seymour) Sullivan, Composer
Robert White, Tenor
Stephen Hough, Piano
(4) Indian Love Lyrics, Movement: Kashmiri Love Song (Less than the dust) Amy Woodforde-Finden, Composer
Amy Woodforde-Finden, Composer
Robert White, Tenor
Stephen Hough, Piano
(4) Indian Love Lyrics, Movement: Till I wake Amy Woodforde-Finden, Composer
Amy Woodforde-Finden, Composer
Robert White, Tenor
Stephen Hough, Piano
(The) Arnold Book of Old Songs, Movement: No. 1, Drink to me only with thine eyes (wds Jonso Roger Quilter, Composer
Robert White, Tenor
Roger Quilter, Composer
Stephen Hough, Piano
(3) Songs, Movement: No. 2, Now sleeps the crimson petal (wds. Tennyson Roger Quilter, Composer
Robert White, Tenor
Roger Quilter, Composer
Stephen Hough, Piano
O dry those tears! Teresa Del Riego, Composer
Robert White, Tenor
Stephen Hough, Piano
Teresa Del Riego, Composer
Sylvia Oley Speaks, Composer
Oley Speaks, Composer
Robert White, Tenor
Stephen Hough, Piano
In a Persian Garden, Movement: Ah moon of my delight (tenor solo) Liza Lehmann, Composer
Liza Lehmann, Composer
Robert White, Tenor
Stephen Hough, Piano
Allah George Whitefield Chadwick, Composer
George Whitefield Chadwick, Composer
Robert White, Tenor
Stephen Hough, Piano
Bless this house May Hannah Brahe, Composer
May Hannah Brahe, Composer
Robert White, Tenor
Stephen Hough, Piano
Thanks be to God May Hannah Brahe, Composer
May Hannah Brahe, Composer
Robert White, Tenor
Stephen Hough, Piano
Roses of Picardy Haydn Wood, Composer
Haydn Wood, Composer
Robert White, Tenor
Stephen Hough, Piano
God be with our boys tonight Wilfred Sanderson, Composer
Robert White, Tenor
Stephen Hough, Piano
Wilfred Sanderson, Composer
Smilin' through Arthur A Penn, Composer
Arthur A Penn, Composer
Robert White, Tenor
Stephen Hough, Piano
Little grey home in the West Hermann Löhr, Composer
Hermann Löhr, Composer
Robert White, Tenor
Stephen Hough, Piano
Bonnie wee thing Liza Lehmann, Composer
Liza Lehmann, Composer
Robert White, Tenor
Stephen Hough, Piano
(The) Lord is my Light Frances Allitsen, Composer
Frances Allitsen, Composer
Robert White, Tenor
Stephen Hough, Piano
Somewhere a voice is calling Arthur F(rank) Tate, Composer
Arthur F(rank) Tate, Composer
Robert White, Tenor
Stephen Hough, Piano
Singer, pianist and executive producer all contribute a preface to this disc, saying how good the songs are and (the producer) how well they are performed. Nostalgia is mentioned, and it is true that there is a little tug on the heart towards what Betjeman called “that Edwardian erstwhile”. Still, songs such as these, or at any rate some of them, are just beginning now to stand on their merits without too much association with front parlour, antimacassar, aspidistra and the terrible sadness of the First World War. Bless this house, for instance, can be valued as a well-made melody with sincere and heartfelt verses. Others speak for themselves in the effect they have when introduced into a concert programme at the Wigmore Hall in recent years with “Pale hands I loved” (Kashmiri Love Song), Roses of Picardy and A brown bird singing. The composers of those songs, like Eric Coates with his Birdsongs at Eventide, did have something which was distinctly of their period and which gains, rather than depreciates, with the passage of time.
Nostalgia is still more powerfully engendered by Robert White’s singing. He is of the old school, brought up on McCormack rather than Pears, and he knows by training and instinct what legato means. His voice has deepened, with loss of quality on the upper notes (none heard here above the A flat) when these are sung loudly. He still produces his voice with an evenness which I really wonder whether any from our younger generation of tenors (fine artists as many of them are) could command supposing they wanted to. As for the McCormack influence, it is remarkable how free he is of the dangers of imitation; yet at times (“you’ll come back to us” and “where’er they may be”, for instance, in God be with our boys tonight) the memory is in the voice, present almost as part of the song itself. Many charming and graceful things are done, by pianist as well as singer, and charming things are told in Robert White’s insert-notes, not least in his recollection of Little grey home in the West sung impromptu to some surprised and delighted dinner guests by HM The Queen Mother.
'

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