Charles Tessier - Carnets de voyages
A journey opens with a riot of colour that is as much danced as sung
View record and artist detailsRecord and Artist Details
Composer or Director: Anonymous, Hans (Johann) Leo Hassler, Landgrave of Hessen-Kassel Moritz, John Dowland, Charles Tessier
Genre:
Vocal
Label: Alpha
Magazine Review Date: 12/2006
Media Format: CD or Download
Media Runtime: 59
Mastering:
Stereo
DDD
Catalogue Number: ALPHA100

Tracks:
Composition | Artist Credit |
---|---|
Airs et Villanelles francais, espagnols, suices et turques, Movement: Chanson turcquesque: Hel vel Aqueur |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Airs et Villanelles francais, espagnols, suices et turques, Movement: Chanson turcquesque: Tal lissi man |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Airs et Villanelles francais, espagnols, suices et turques, Movement: Air espagnol: No ay en la tierra |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Airs et Villanelles francais, espagnols, suices et turques, Movement: Chanson suissece: Mattone mie care |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Suite of Bransles |
Anonymous, Composer
Anonymous, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Jungfrau, dein schön Gestalt |
Hans (Johann) Leo Hassler, Composer
Hans (Johann) Leo Hassler, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Pavana del Sgr Guilhelmo Keudelio |
Landgrave of Hessen-Kassel Moritz, Composer
Landgrave of Hessen-Kassel Moritz, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Premier Livre de Chansons, Movement: Me voilà hors du naufrage |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Premier Livre de Chansons, Movement: Villanelle italienne: Madonna di Coucagna |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Premier Livre de Chansons, Movement: Villanelle italienne: Vita di voria dar |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
(The) First Book of Songs or Ayres, Movement: Burst forth my teares |
John Dowland, Composer
John Dowland, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Galliards, Movement: Can she excuse, P42 |
John Dowland, Composer
John Dowland, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Les Gascons |
Anonymous, Composer
Anonymous, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Premier Livre de Chansons, Movement: Je suis par trop longtemps pucelle |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Premier Livre de Chansons, Movement: Quand le flambeau du monde quitte l'autre séjour |
Charles Tessier, Composer
Charles Tessier, Composer Le Poème Harmonique Vincent Dumestre, Conductor |
Author: Fabrice Fitch
Le Poème Harmonique have a knack for imaginative programming. A frequent theme of their recordings is the fruitful co-existence of different cultures and idioms, and the cross-cultural exchanges that criss-crossed Europe throughout the late Renaissance. It seems that in Charles Tessier they have found a kindred spirit. A French musician whose life is but sparsely documented, he travelled the length and breadth of Europe, and possibly beyond. In 1597 he published a selection of musical works setting texts in different languages - including nonsense “Turkish”. This musical journey opens with a riot of colour - the “Turkish” pieces are as much danced as sung. There follow songs in German, in Italian, both straight and with a German accent (an early setting of the Matona mia cara made famous by Lassus), Spanish, French and English - the latter represented by Dowland, sung a cappella.
I have seldom had anything but the highest praise for this ensemble's recordings, and despite the disparity of its elements, the overall impression is yet again thoroughly convincing on the level of programming, while individual pieces are strongly characterised. Apart from the pieces already mentioned, the languorous airs de cour are perhaps their most impressive collective achievements: they echo the grand eloquence and sober dignity of the grant chants of the trouvères, centuries earlier. Claire Lefilliâtre turns in yet another affecting performance, confirming my impression of her as one of the finest interpreters of this period. But the coherence of the entire ensemble is just as telling: singers and players meld together seamlessly, allowing individuals to embroider their lines with seemingly total freedom, without detracting from the whole. Listen to the cornet player William Dongois in the closing track, Quand le flambeau du monde: this is the sort of fluid, idiomatic weave that Jan Garbarek was aiming at (but never really came close to) on his recordings with the Hilliard Ensemble. The programme is brief by CD standards but admirers of Le Poème Harmonique will not feel short-changed.
I have seldom had anything but the highest praise for this ensemble's recordings, and despite the disparity of its elements, the overall impression is yet again thoroughly convincing on the level of programming, while individual pieces are strongly characterised. Apart from the pieces already mentioned, the languorous airs de cour are perhaps their most impressive collective achievements: they echo the grand eloquence and sober dignity of the grant chants of the trouvères, centuries earlier. Claire Lefilliâtre turns in yet another affecting performance, confirming my impression of her as one of the finest interpreters of this period. But the coherence of the entire ensemble is just as telling: singers and players meld together seamlessly, allowing individuals to embroider their lines with seemingly total freedom, without detracting from the whole. Listen to the cornet player William Dongois in the closing track, Quand le flambeau du monde: this is the sort of fluid, idiomatic weave that Jan Garbarek was aiming at (but never really came close to) on his recordings with the Hilliard Ensemble. The programme is brief by CD standards but admirers of Le Poème Harmonique will not feel short-changed.
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