Düben Delights
Anna Jobrant and Co offer a selection of treats from an important collection
View record and artist detailsRecord and Artist Details
Composer or Director: Crato Bütner, Johann Nicolaus Hanff, Augustin Pfleger, Ignatio von Gnessel, Vincenzo Albrici, Johann Thiele, Didaco Philetari
Genre:
Vocal
Label: Footprint
Magazine Review Date: 2/2011
Media Format: CD or Download
Media Runtime: 52
Mastering:
Stereo
Catalogue Number: FRCD049

Tracks:
Composition | Artist Credit |
---|---|
Laudate pueri Dominun |
Crato Bütner, Composer
Anna Jobrant, Soprano Crato Bütner, Composer Göteborg Baroque |
Salve rex Christe |
Didaco Philetari, Composer
Anna Jobrant, Soprano Didaco Philetari, Composer Göteborg Baroque |
Omnia quae fecit Deus |
Vincenzo Albrici, Composer
Anna Jobrant, Soprano Göteborg Baroque Vincenzo Albrici, Composer |
Ach, dass Ich hören sollte dass Gott |
Johann Thiele, Composer
Anna Jobrant, Soprano Göteborg Baroque Johann Thiele, Composer |
Venite ad me |
Ignatio von Gnessel, Composer
Anna Jobrant, Soprano Göteborg Baroque Ignatio von Gnessel, Composer |
Sinfonia a 2 |
Vincenzo Albrici, Composer
Göteborg Baroque Vincenzo Albrici, Composer |
Justorum animae in manu Dei sunt |
Augustin Pfleger, Composer
Anna Jobrant, Soprano Augustin Pfleger, Composer Göteborg Baroque |
Ich will den Herrn loben allezeit |
Johann Nicolaus Hanff, Composer
Anna Jobrant, Soprano Göteborg Baroque Johann Nicolaus Hanff, Composer |
Author: Richard Lawrence
Over 100 pieces in the collection are by Buxtehude; there is nothing of his here, but several pieces are in the same North German vein. Crato Bütner (1616-79) was an organist and director of music in Danzig. Laudate pueri Dominum begins with a cheerful introduction for two violins, whose semiquaver runs are taken up by the voice. Didaco Philetari was a priest in Rome: Salve rex Christe, appropriately adapted for Lutheran consumption from a Salve regina, is scored for a larger string group, with what sounds like a viola da gamba on the top line. The playing is rich and arrestingly beautiful. The motet by Theile is nicely constructed, with the opening two-note phrase returning at the end.
Anna Jobrant sounds shrill at the top of her range but her coloratura is accurate and she blends well with the instruments. This enterprising recording deserves support.
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