English Music for Oboe
View record and artist detailsRecord and Artist Details
Composer or Director: Peter Dickinson, Gordon Jacob, Gordon Crosse, Herbert Howells, Stephen Dodgson
Genre:
Chamber
Label: Heritage
Magazine Review Date: 02/2015
Media Format: CD or Download
Media Runtime: 68
Mastering:
DDD
Catalogue Number: HTGCD275

Tracks:
Composition | Artist Credit |
---|---|
Variations for Oboe and Guitar ‘Little Epiphany’ |
Gordon Crosse, Composer
Gordon Crosse, Composer Rohan de Saram, Guitar Sarah Francis, Oboe |
Quartet for Oboe and String Trio |
Stephen Dodgson, Composer
Sarah Francis, Oboe Stephen Dodgson, Composer Tagore String Trio |
Four Duos for Oboe and Guitar |
Peter Dickinson, Composer
Peter Dickinson, Composer Rohan de Saram, Guitar Sarah Francis, Oboe |
Seven Bagatelles for Solo Oboe |
Gordon Jacob, Composer
Gordon Jacob, Composer Sarah Francis, Oboe |
Sonata for Oboe and Piano |
Herbert Howells, Composer
Herbert Howells, Composer Peter Dickinson, Composer Sarah Francis, Oboe |
Author: Edward Greenfield
Gordon Crosse’s Little Epiphany is a spin off from his orchestral Epiphany, developing the same material in a set of variations for oboe and cello. The main theme is a simple four-bar phrase, repeated at the end with a beautiful fading coda, making a substantial work of almost a quarter of an hour. Stephen Dodgson’s Oboe Quartet is a much more compact work in three movements, the last of which sums up the argument on a more extended canvas. Peter Dickinson’s Four Duos celebrates his artistic partnership with the oboist. Three of the movements use a tone-row from Ives’s Three-Page Sonata but the writing is hardly at all atonal, with tonal passages punctuating the sections using the tone-row. The second movement is a slow piece conveying a sense of foreboding, while the fourth provides a jolly conclusion. Gordon Jacob’s unaccompanied Bagatelles are a delight from first to last, written for Francis when she was starting her career, and bringing out the special qualities of the oboe masterfully.
Herbert Howells’s Oboe Sonata is in four movements, the first two and last two linked. The first is marked placido, teneramente, a reflective piece leading into an even more lyrical, almost folk-like movement. The third is a scherzo culminating in an oboe cadenza with occasional chordal support from the piano. The closing Epilogue, marked mesto, then rounds the work off gently. It is hard to understand Goossens’s failure to appreciate such an attractive, superbly written piece.
Sarah Francis shows her love for each work in the warmth of her playing, understandingly accompanied by her various colleagues. The recording of the Howells Sonata has been borrowed from a Hyperion disc, matching the excellent balance of the rest.
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