Feel the Spirit

Another vocal compendium from John Rutter to delight fans of close­harmony singing

Record and Artist Details

Composer or Director: John Rutter, Hoagy Carmichael, Traditional, George Shearing

Genre:

Vocal

Label: Collegium

Media Format: CD or Download

Media Runtime: 75

Mastering:

Stereo
DDD

Catalogue Number: COLCD128

Tracks:

Composition Artist Credit
Feel the Spirit John Rutter, Composer
BBC Concert Orchestra
Cambridge Singers
John Rutter, Composer
John Rutter, Conductor
Melanie Marshall, Mezzo soprano
Birthday Madrigals John Rutter, Composer
Cambridge Singers
John Rutter, Composer
John Rutter, Conductor
Malcolm Creese, Double bass
Wayne Marshall, Piano
Songs and Sonnets from Shakespeare George Shearing, Composer
Cambridge Singers
George Shearing, Composer
John Rutter, Conductor
Malcolm Creese, Double bass
Wayne Marshall, Piano
(The) Heavenly Aeroplane John Rutter, Composer
Cambridge Singers
John Rutter, Composer
John Rutter, Conductor
Lord of the dance Traditional, Composer
Cambridge Singers
John Rutter, Conductor
Traditional, Composer
Skylark Hoagy Carmichael, Composer
Cambridge Singers
Hoagy Carmichael, Composer
John Rutter, Conductor
This choral feast (subtitled ‘Songs and Spirituals’) comes from John Rutter’s own Collegium label. Its Anglo­American thread pays homage to three of his favourite musical traditions – the spiritual‚ the madrigal and American song. The most substantial work here is the new half­hour­long cycle of spirituals Feel the Spirit‚ which received its première in Carnegie Hall in June this year. These luscious arrangements bear repeated listening: orchestrally colourful and playfully witty (is there a hint of Harpo Marx in ‘I got a robe’?). In their exuberant moments they lie somewhere between Porgy and Bess and George Mitchell’s brand of close­harmony minstrelsy. Melanie Marshall’s voice is engagingly honeyed‚ especially in the Vaughan Williams­flavoured ‘Sometimes I feel like a motherless child’. The Cambridge Singers and BBC Concert Orchestra are on top form throughout. Rutter’s Birthday Madrigals were completed in 1995 to celebrate George Shearing’s 75th birthday. Drawing on texts from the Elizabethan era‚ they feature the superb bass­playing of Malcoln Creese and some sympathetic pianistic embellishments from Wayne Marshall‚ and are juxtaposed by Shearing’s own beautiful Songs and Sonnets (1999)‚ a follow­up Shakespearean cycle to Music to Hear (1985). Interestingly both composers set the Bard’s It was a lover and his lass‚ though neither can surpass the television variety show setting by Shearing’s wartime colleague‚ Arthur Young. ‘Fie on sinful fantasy’ and the Delian ‘Spring’ work best here. The ‘fillers’ offer a triple bonus and include a full French impressionist treatment of Hoagy Carmichael’s exquisite Skylark. A delightful disc. Strongly recommended.

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