Gershwin Porgy & Bess - excs. Blue Monday
View record and artist detailsRecord and Artist Details
Composer or Director: George Gershwin
Label: Telarc
Magazine Review Date: 8/1998
Media Format: CD or Download
Media Runtime: 71
Mastering:
DDD
Catalogue Number: CD80434

Tracks:
Composition | Artist Credit |
---|---|
Porgy and Bess, Movement: Introduction...Jasbo Brown Blues |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Summertime |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: A woman is a sometime thing |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Gone, gone, gone |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Overflow |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: My man's gone now |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Headin' for the Promis' Lan' |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: I got plenty o' nuttin' |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Bess, you is my woman now |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Oh, I can't sit down |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: I ain' got no shame |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: It ain't necessarily so |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: I loves you, Porgy |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Clara, don't you be downhearted |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Oh Bess, oh where's my Bess |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Oh Lawd, I'm on my way |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
Porgy and Bess, Movement: Lonely boy (orch Reineke) |
George Gershwin, Composer
Angela Brown, Soprano Cab Calloway, Tenor Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Harolyn Blackwell, Soprano Marquita Lister, Soprano Sebronette Barnes, Contralto (Female alto) |
George White's Scandals of 1922, Movement: Blue Monday (withdrawn after 1st perf) |
George Gershwin, Composer
Central State University Chorus Cincinnati Pops Orchestra Erich Kunzel, Conductor George Gershwin, Composer Gregg Baker, Baritone Kirk Walker, Baritone Lawrence Craig, Baritone Marquita Lister, Soprano Thomas Young, Tenor William Henry Caldwell, Baritone |
Author: Patrick O'Connor
The big news here is the first recording of a duet, “Lonely boy”, for Bess and Serena, dropped from the score by Gershwin in favour of a reprise of “Summertime”. With a strange pre-echo of the Nurses’ Duet in Weill’s Street Scene, it is just a pleasant rock-a-bye rhythm excuse for the two girls to show off their voices. Any enterprising producer of Porgy and Bess will surely want to include it in future.
Apart from that, the selection from the opera includes most of the famous numbers. Gregg Baker was a magnificent Crown in the 1986 Glyndebourne production but here sings both Porgy and and Jake – with his great stage presence and striking looks he’s a singer we ought to hear more from. Marquita Lister’s Bess is similarly assured and she adds a little fioritura to her account of “I wants to stay here” that is very effective. Harolyn Blackwell, also a veteran of the Glyndebourne staging, repeats her well-known “Summertime”.
Veteran doesn’t seem an adequate word to describe the late Cab Calloway who contributes a typically eccentric “It ain’t necessarily so”. This must have been one of his last records, and it’s a stylish, valedictory effort. Calloway was the Sportin’ Life in the famous 1950s production of Porgy that introduced the work to London, and he sang it on disc twice (RCA and Sony – both nla).
It’s an excellent idea to couple the Porgy extracts with Gershwin’s early one-act opera, Blue Monday. Although its plot is absurd and Buddy Henderson’s lyrics no match for those provided for Gershwin’s shows by his brother, Ira, it has so many little points of stylistic and harmonic similarity to Porgy that to hear them side by side is an instructive experience. This is the third recording of Blue Monday, but the first to use the original orchestrations by Will Vodery, rather than the later arrangements when the piece was retitled 135th Street. Baker and Lister both give spirited performances and Thomas Young does what he can with the big song, “I want to see my mother”. Erich Kunzel and the Cincinnati Pops Orchestra give their all.'
Apart from that, the selection from the opera includes most of the famous numbers. Gregg Baker was a magnificent Crown in the 1986 Glyndebourne production but here sings both Porgy and and Jake – with his great stage presence and striking looks he’s a singer we ought to hear more from. Marquita Lister’s Bess is similarly assured and she adds a little fioritura to her account of “I wants to stay here” that is very effective. Harolyn Blackwell, also a veteran of the Glyndebourne staging, repeats her well-known “Summertime”.
Veteran doesn’t seem an adequate word to describe the late Cab Calloway who contributes a typically eccentric “It ain’t necessarily so”. This must have been one of his last records, and it’s a stylish, valedictory effort. Calloway was the Sportin’ Life in the famous 1950s production of Porgy that introduced the work to London, and he sang it on disc twice (RCA and Sony – both nla).
It’s an excellent idea to couple the Porgy extracts with Gershwin’s early one-act opera, Blue Monday. Although its plot is absurd and Buddy Henderson’s lyrics no match for those provided for Gershwin’s shows by his brother, Ira, it has so many little points of stylistic and harmonic similarity to Porgy that to hear them side by side is an instructive experience. This is the third recording of Blue Monday, but the first to use the original orchestrations by Will Vodery, rather than the later arrangements when the piece was retitled 135th Street. Baker and Lister both give spirited performances and Thomas Young does what he can with the big song, “I want to see my mother”. Erich Kunzel and the Cincinnati Pops Orchestra give their all.'
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