Haydn String Quartets, Op. 76
View record and artist detailsRecord and Artist Details
Composer or Director: Joseph Haydn
Label: Decca
Magazine Review Date: 1/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 425 467-4DH

Tracks:
Composition | Artist Credit |
---|---|
(6) String Quartets, 'Erdödy', Movement: No. 4 in B flat, 'Sunrise' |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
(6) String Quartets, 'Erdödy', Movement: No. 5 in D |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
(6) String Quartets, 'Erdödy', Movement: No. 6 in E flat, 'Fantasia' |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
Composer or Director: Joseph Haydn
Label: Decca
Magazine Review Date: 1/1990
Media Format: CD or Download
Media Runtime: 68
Mastering:
DDD
Catalogue Number: 425 467-2DH

Tracks:
Composition | Artist Credit |
---|---|
(6) String Quartets, 'Erdödy', Movement: No. 4 in B flat, 'Sunrise' |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
(6) String Quartets, 'Erdödy', Movement: No. 5 in D |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
(6) String Quartets, 'Erdödy', Movement: No. 6 in E flat, 'Fantasia' |
Joseph Haydn, Composer
Joseph Haydn, Composer Takács Quartet |
Author: Christopher Headington
With the D major Quartet, Op. 76 No. 5, one is made to wonder for the umpteenth time at Haydn's inexhaustible inventiveness: it starts with an Allegretto suggesting a set of variations but then moves into a startling section in B flat major and D minor before ending with a brisk coda. And what other quartet composer of this time would write the F two octaves above the fifth line of the treble clef for his first violin? The Largo is in F sharp major (!) and its cantabile e mesto (sad) marking is fully realized, as is the major-minor contrast of the minuet; and the finale which begins with an unmistakable joke of six bars that sound like the end of a movement, is taken at a true Presto and a delight of sheer playfulness.
The third of these quartets begins with another unusually shaped movement, variations that culminate in a fugato. The slow movement—in B major this time—is another original, and actually has the title of Fantasia, and this is followed not by a minuet but by a real scherzo (and what wit here, too) and then a finale in which fragments of scales participate in a game of dizzy contrapuntal complexity. The recording is immediate yet atmospheric, with a touch of glare that tone and volume controls will tame. Overall this is an issue to be strongly recommended.'
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