Insomnia: A Nocturnal Voyage in Song
First recital disc from emerging baritone Berger
View record and artist detailsRecord and Artist Details
Composer or Director: Ralph Vaughan Williams, Charles-François Gounod, Richard Strauss, Hugo (Filipp Jakob) Wolf, Richard Rodney Bennett, Claude Debussy, Maurice Ravel, Raymond Yiu, Gabriel Fauré, Wolfgang Amadeus Mozart, Clara (Josephine) Schumann, Franz Liszt, Franz Schubert, Peter Warlock
Label: Delphian
Magazine Review Date: 11/2012
Media Format: CD or Download
Media Runtime: 55
Mastering:
Stereo
DDD
Catalogue Number: DCD34116
Tracks:
Composition | Artist Credit |
---|---|
Abendempfindung |
Wolfgang Amadeus Mozart, Composer
Iain Burnside, Musician, Piano William Berger, Singer, Baritone Wolfgang Amadeus Mozart, Composer |
Nuit d'étoiles |
Claude Debussy, Composer
Claude Debussy, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Histoires naturelles, Movement: Le grillon |
Maurice Ravel, Composer
Iain Burnside, Musician, Piano Maurice Ravel, Composer William Berger, Singer, Baritone |
Claire de lune |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
(The) Night |
Peter Warlock, Composer
Iain Burnside, Musician, Piano Peter Warlock, Composer William Berger, Singer, Baritone |
Tired |
Ralph Vaughan Williams, Composer
Iain Burnside, Musician, Piano Ralph Vaughan Williams, Composer William Berger, Singer, Baritone |
Dream Songs, Movement: 1. Dream-song |
Richard Rodney Bennett, Composer
Iain Burnside, Musician, Piano Richard Rodney Bennett, Composer William Berger, Singer, Baritone |
Auf der Bruck |
Franz Schubert, Composer
Franz Schubert, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Mörike Lieder, Movement: Um Mitternacht |
Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Italienisches Liederbuch, 'Italian Songbook', Movement: Schon streckt' ich aus |
Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
(5) Mélodies, Movement: No. 1, Mandoline |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
(2) Songs, Movement: No. 2, Sérénade toscane (wds. anon, trans Buss) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Italienisches Liederbuch, 'Italian Songbook', Movement: Nicht länger kann ich singen |
Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Sonnet |
Raymond Yiu, Composer
Iain Burnside, Musician, Piano Raymond Yiu, Composer William Berger, Singer, Baritone |
Buch der Lieder für Piano allein, Volume 2, Movement: Oh, quand je dors, S536 (S282/1) |
Franz Liszt, Composer
Franz Liszt, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Italienisches Liederbuch, 'Italian Songbook', Movement: Und steht Ihr früh am Morgen auf |
Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
(4) Lieder, Movement: No. 4, Morgen (wds. J H Mackay: orch 1897) |
Richard Strauss, Composer
Iain Burnside, Musician, Piano Richard Strauss, Composer William Berger, Singer, Baritone |
(6) Lieder, Movement: Der Mond kommt still gegangen (wds. Geibel) |
Clara (Josephine) Schumann, Composer
Clara (Josephine) Schumann, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Viens! Les gazons sont verts! |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Iain Burnside, Musician, Piano William Berger, Singer, Baritone |
Author: Richard Fairman
Ironically, what is missing in the performances is a sense of peace and stillness. Berger has a warm, resonant baritone and an hour spent in its company is a pleasurable experience. But it is not often that he scales his singing down – the soft endings to Liszt’s ‘Oh! quand je dors’ and Strauss’s ‘Morgen’ are notable for being exceptions to the rule – and the feeling of a public event is accentuated by the recording venue. The Queen’s Hall in Edinburgh, familiar to any festival-goer, comes across as reverberant, making some of the busier songs, such as Schubert’s bracing ‘Auf der Bruck’, sound rather noisy. All this takes us a long way from the intimacy of, say, Bernard Kruysen in his Fauré mélodies. Still, there is much alert singing here and the partnership between Berger and Iain Burnside yields some fine performances along the way.
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