(Les) Travailleurs de la Mer
A first, surely! Music celebrating the Channel Island of Guernsey
View record and artist detailsRecord and Artist Details
Composer or Director: Traditional, Pierre Attaingnant, Anonymous, Adam de la Halle, John I Playford, Jacques Mangeant, Jean-Philippe Rameau, Jacques Moderne
Genre:
Vocal
Label: Harmonia Mundi
Magazine Review Date: 7/2005
Media Format: CD or Download
Media Runtime: 76
Mastering:
Stereo
DDD
Catalogue Number: HMU90 7330

Tracks:
Composition | Artist Credit |
---|---|
L' bouan houme Andrio |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Y a de belles filles partout |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Les filles du Câté |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Les Fiànchailles |
Pierre Attaingnant, Composer
Andrew Lawrence-King, Conductor Harp Consort Pierre Attaingnant, Composer |
L' nèr cotillon d' Mussieu l' Curaï |
John I Playford, Composer
Andrew Lawrence-King, Conductor Harp Consort John I Playford, Composer |
(La) brosse |
Pierre Attaingnant, Composer
Andrew Lawrence-King, Conductor Harp Consort Pierre Attaingnant, Composer |
Pièces de clavecin, Movement: Tambourin |
Jean-Philippe Rameau, Composer
Andrew Lawrence-King, Conductor Harp Consort Jean-Philippe Rameau, Composer |
Ma Chifournie |
Adam de la Halle, Composer
Adam de la Halle, Composer Andrew Lawrence-King, Conductor Harp Consort |
La Chànson de la Ribotresse |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Dansai donc ou ne dansai pas |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Les Filles des Parreisses |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Le Cat |
Pierre Attaingnant, Composer
Andrew Lawrence-King, Conductor Harp Consort Pierre Attaingnant, Composer |
Minette |
Adam de la Halle, Composer
Adam de la Halle, Composer Andrew Lawrence-King, Conductor Harp Consort |
Belle Rose |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
(Le) Furet |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
(Le) voyage à Gernerui |
Anonymous, Composer
Andrew Lawrence-King, Conductor Anonymous, Composer Harp Consort |
Branle gai nouveau |
Jacques Moderne, Composer
Andrew Lawrence-King, Conductor Harp Consort Jacques Moderne, Composer |
Seul et content |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Doublle la violaette & Le tour du moulin |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Pavane |
Pierre Attaingnant, Composer
Andrew Lawrence-King, Conductor Harp Consort Pierre Attaingnant, Composer |
Le voyage de Lihou |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
St Pierre de Lihou |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
(Les) Chansonniers |
Jacques Mangeant, Composer
Andrew Lawrence-King, Conductor Harp Consort Jacques Mangeant, Composer |
Cha chon |
Traditional, Composer
Andrew Lawrence-King, Conductor Harp Consort Traditional, Composer |
Author: Patrick O'Connor
The disc is divided into six ‘chapters’, moving from stories about parish girls, to travellers’ tales, courtship rituals, legends of witches and lecherous clergymen, as well as nostalgic evocations of the landscape and wildlife of the islands. Although the language is recognisable as a kind of French, and it is still spoken and broadcast nowadays, it is impossible to comprehend; luckily all the words are in the booklet. They reveal a robust and irreverent tradition of happy innuendo and the philosophy of a strong-willed and independent populace.
Andrew Lawrence-King’s arrangements use bagpipes, shawm, chifournie as well as harp, fiddle, cornetto and Baroque guitar. The effect is magical. Clara Sanabras and Paul Hillier sing duets and solos, and the whole sequence has a unique sound to it, which even those who have never visited Guernsey may find addictive. The songs are interspersed with instrumental dances, and although some of these are not as old as people were led to believe in the 19th century – one having been introduced to the islanders by Russian troops billeted there during the Napoleonic wars – the whole programme makes for something as enchanted as one of the fairy-tales that account for many of Guernsey’s legends.
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