Music for the Sistine Chapel
View record and artist detailsRecord and Artist Details
Composer or Director: Giovanni Palestrina, Josquin Desprez, Cristóbal de Morales, Gregorio Allegri
Label: Reflexe
Magazine Review Date: 8/1987
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270565-1
Tracks:
Composition | Artist Credit |
---|---|
Stabat mater |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
O beata et benedicta |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Motets, Book 3, Movement: Jubilate Deo omnis terra (8vv) |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Dum complerentur |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Miserere mei |
Gregorio Allegri, Composer
Andrew Parrott, Conductor Gregorio Allegri, Composer Taverner Consort |
Lamentabatur Jacob |
Cristóbal de Morales, Composer
Andrew Parrott, Conductor Cristóbal de Morales, Composer Taverner Consort |
Pater noster, qui es in celis |
Josquin Desprez, Composer
Andrew Parrott, Conductor Josquin Desprez, Composer Taverner Consort |
Composer or Director: Giovanni Palestrina, Josquin Desprez, Cristóbal de Morales, Gregorio Allegri
Label: Reflexe
Magazine Review Date: 8/1987
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270565-4
Tracks:
Composition | Artist Credit |
---|---|
Stabat mater |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
O beata et benedicta |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Motets, Book 3, Movement: Jubilate Deo omnis terra (8vv) |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Dum complerentur |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Miserere mei |
Gregorio Allegri, Composer
Andrew Parrott, Conductor Gregorio Allegri, Composer Taverner Consort |
Lamentabatur Jacob |
Cristóbal de Morales, Composer
Andrew Parrott, Conductor Cristóbal de Morales, Composer Taverner Consort |
Pater noster, qui es in celis |
Josquin Desprez, Composer
Andrew Parrott, Conductor Josquin Desprez, Composer Taverner Consort |
Composer or Director: Giovanni Palestrina, Josquin Desprez, Cristóbal de Morales, Gregorio Allegri
Label: Reflexe
Magazine Review Date: 8/1987
Media Format: CD or Download
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 747699-2
Tracks:
Composition | Artist Credit |
---|---|
Stabat mater |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
O beata et benedicta |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Motets, Book 3, Movement: Jubilate Deo omnis terra (8vv) |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Dum complerentur |
Giovanni Palestrina, Composer
Andrew Parrott, Conductor Giovanni Palestrina, Composer Taverner Consort |
Miserere mei |
Gregorio Allegri, Composer
Andrew Parrott, Conductor Gregorio Allegri, Composer Taverner Consort |
Lamentabatur Jacob |
Cristóbal de Morales, Composer
Andrew Parrott, Conductor Cristóbal de Morales, Composer Taverner Consort |
Pater noster, qui es in celis |
Josquin Desprez, Composer
Andrew Parrott, Conductor Josquin Desprez, Composer Taverner Consort |
Author: Iain Fenlon
In many ways, the Taverner Consort and their director Andrew Parrott are well-equipped for the task. Parrott has always shown himself to be alive to the historical issues of early-music performance, and able to provide thoughtful and sometimes controversial answers to interpretational difficulties. His records always provide a surprise, and this one is no exception. The centrepiece is not (as might be thought from the advertised contents of the record) Allegri's famous Miserere but rather a compound version of that work in which successive verses are taken from differently arranged and ornamented versions that have survived among the Sistine manuscripts. The result is not a piece that was ever performed, but an intriguing historical hybrid, delivered with an appropriately bright and at times even slightly hard sound. There seems to be a conscious effort here to achieve an Italianate effect, and it is very effective particularly in the upper lines which possess a firm and rich tone close (one imagines) to the sound that the falsettists who sang this part in the sixteenth century might have achieved.
Yet despite the imagination and care with which this record has been planned and executed (the decision to add embellishment to pieces other than the Allegri might be singled out as an example of Parrott's attention to historical detail), there remains a striking curiosity. Sixtus IV established the choir at a membership of 24 singers, and in the course of the next century the numbers rose. But the Taverner Consort perform all the pieces on this record with only one voice to a part. Certainly much of this music (though not the Allegri) would have been performed in this way in Brescia or Bergamo, but the one place it would not have been done with such small forces was the Sistine Chapel.
For a record which wears its academic credentials so conspicuously, and on the whole successfully, this is an extraordinary decision for which neither the generous acoustic nor the sensitive efforts of the engineers can compensate.'
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