Patinkin Experiment
View record and artist detailsRecord and Artist Details
Composer or Director: Leonard Bernstein, Jerome (David) Kern, Harry (Salvatore) Warren, Irving Berlin, Stephen (Joshua) Sondheim, Harry Chapin, Herman Hupfeld, Richard Rodgers, Claude-Michel Schönberg, Alan Menken, 'Fats' (Thomas Wright) Waller, Cole (Albert) Porter, Burton Lane
Label: Nonesuch
Magazine Review Date: 11/1994
Media Format: CD or Download
Media Runtime: 46
Mastering:
DDD
Catalogue Number: 7559-79330-2
Tracks:
Composition | Artist Credit |
---|---|
As time goes by |
Herman Hupfeld, Composer
(Anonymous) Orchestra Eric Stern, Conductor Herman Hupfeld, Composer Mandy Patinkin, Tenor |
You Were Never Lovelier, Movement: I'm Old Fashioned |
Jerome (David) Kern, Composer
(Anonymous) Orchestra Eric Stern, Conductor Jerome (David) Kern, Composer Mandy Patinkin, Tenor |
Little Shop of Horrors, Movement: Somewhere That's Green |
Alan Menken, Composer
(Anonymous) Orchestra Alan Menken, Composer Eric Stern, Conductor Mandy Patinkin, Tenor |
Company, Movement: Someone Is Waiting |
Stephen (Joshua) Sondheim, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Stephen (Joshua) Sondheim, Composer |
Company, Movement: Multitudes of Amys (cut from finished version) |
Stephen (Joshua) Sondheim, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Stephen (Joshua) Sondheim, Composer |
Merrily We Roll Along, Movement: Good Thing Going |
Stephen (Joshua) Sondheim, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Stephen (Joshua) Sondheim, Composer |
Follies, Movement: The Road You Didn't Take |
Stephen (Joshua) Sondheim, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Stephen (Joshua) Sondheim, Composer |
So Many People |
Stephen (Joshua) Sondheim, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Stephen (Joshua) Sondheim, Composer |
West Side Story, Movement: Something's coming |
Leonard Bernstein, Composer
(Anonymous) Orchestra Eric Stern, Conductor Leonard Bernstein, Composer Mandy Patinkin, Tenor |
Ain't Misbehavin', Movement: The Jitterbug Waltz |
'Fats' (Thomas Wright) Waller, Composer
(Anonymous) Orchestra Eric Stern, Conductor 'Fats' (Thomas Wright) Waller, Composer Mandy Patinkin, Tenor |
Taxi |
Harry Chapin, Composer
(Anonymous) Orchestra Eric Stern, Conductor Harry Chapin, Composer Mandy Patinkin, Tenor |
(Les) Misérables, Movement: I Dreamed a Dream |
Claude-Michel Schönberg, Composer
(Anonymous) Orchestra Claude-Michel Schönberg, Composer Eric Stern, Conductor Mandy Patinkin, Tenor |
(Les) Misérables, Movement: Bring Him Home |
Claude-Michel Schönberg, Composer
(Anonymous) Orchestra Claude-Michel Schönberg, Composer Eric Stern, Conductor Mandy Patinkin, Tenor |
Billy Rose's Diamond Horseshoe |
Harry (Salvatore) Warren, Composer
(Anonymous) Orchestra Eric Stern, Conductor Harry (Salvatore) Warren, Composer Mandy Patinkin, Tenor |
Babes in Arms, Movement: Where or When |
Richard Rodgers, Composer
(Anonymous) Orchestra Eric Stern, Conductor Mandy Patinkin, Tenor Richard Rodgers, Composer |
Always |
Irving Berlin, Composer
(Anonymous) Orchestra Eric Stern, Conductor Irving Berlin, Composer Mandy Patinkin, Tenor |
Finian's Rainbow, Movement: How Are Things in Glocca Morra? |
Burton Lane, Composer
(Anonymous) Orchestra Burton Lane, Composer Eric Stern, Conductor Mandy Patinkin, Tenor |
Nymph Errant, Movement: Experiment |
Cole (Albert) Porter, Composer
(Anonymous) Orchestra Cole (Albert) Porter, Composer Eric Stern, Conductor Mandy Patinkin, Tenor |
Author: Patrick O'Connor
Among the rarer songs there is ''Multitudes of Amys'', cut from Company, and another Sondheim curiosity, ''So Many People'' from the unproduced 1954 Saturday Night. While the disc can be enjoyed on its own as a pleasant series of ballads, it holds a special sort of fascination as one tries to make out exactly what the story is (the notes don't give anything away). Paul Ford's arrangements are snappy and inventive, and the 26-strong accompanying ensemble is kept in order by Eric Stern. This is real Broadway, sophisticated singing—an antidote to some of the crossover curiosities which haven't quite come off in recent years.'
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