Schubert: String Quartets
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert
Label: Novalis
Magazine Review Date: 1/1991
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 150 058-4

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
String Quartet No. 13 |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
Composer or Director: Franz Schubert
Label: Novalis
Magazine Review Date: 1/1991
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 150 058-1

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
String Quartet No. 13 |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
Composer or Director: Franz Schubert
Label: Masters
Magazine Review Date: 1/1991
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: MCD13

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer New World Qt |
String Quartet No. 9 |
Franz Schubert, Composer
Franz Schubert, Composer New World Qt |
Composer or Director: Franz Schubert
Label: Hungaroton
Magazine Review Date: 1/1991
Media Format: CD or Download
Media Runtime: 49
Mastering:
DDD
Catalogue Number: HCD31195

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 12, 'Quartettsatz' |
Franz Schubert, Composer
Franz Schubert, Composer Keller Qt |
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Keller Qt |
Composer or Director: Franz Schubert
Label: Novalis
Magazine Review Date: 1/1991
Media Format: CD or Download
Media Runtime: 75
Mastering:
DDD
Catalogue Number: 150 058-2

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
String Quartet No. 13 |
Franz Schubert, Composer
Franz Schubert, Composer Melos Qt |
Composer or Director: Franz Schubert
Label: Red Seal
Magazine Review Date: 1/1991
Media Format: CD or Download
Media Runtime: 62
Mastering:
DDD
Catalogue Number: RD87990

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Tokyo Qt |
String Quartet No. 4 |
Franz Schubert, Composer
Franz Schubert, Composer Tokyo Qt |
Composer or Director: Franz Schubert
Label: Red Seal
Magazine Review Date: 1/1991
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: RK87990

Tracks:
Composition | Artist Credit |
---|---|
String Quartet No. 14, 'Death and the Maiden' |
Franz Schubert, Composer
Franz Schubert, Composer Tokyo Qt |
String Quartet No. 4 |
Franz Schubert, Composer
Franz Schubert, Composer Tokyo Qt |
Author: Stephen Johnson
All the same, Death and the Maiden is a work that can be viewed from a variety of interpretative perspectives, as two of these new versions demonstrate. The Tokyo and Melos performances are utterly different, but both are strong and offer rewards. Right from the start you know that the Tokyo Quartet's will be a dramatic, fiery reading: there's that hair-raising initial attack, with subsequent loud/soft contrasts powerfully underlined. Each movement has its basic pulse, but within that pulse there's plenty of freedom. I find their affetuoso just a little cloying at times—notably in the
The Melos version seems to come from the other end of the interpretative spectrum. One admires the control because in places it leads to heightened power—notably the long crescendo to the climax of the Andante, and over long stretches of the finale. There's power and excitement, and nothing cloys. Significantly, the classicizing Melos observe the first movement repeat, while the romantic Tokyo omit it. They are relatively short on tenderness though—a quality which the Tokyo Quartet provide, if occasionally, in excess—and this is more disturbing in the former's coupling, the A minor Quartet, a much more substantial filler than that offered by the Tokyo, but less convincingly played.
Whilst there are slight qualifications about these two Death and the Maidens (though not about the excellent recordings). I greatly prefer them to either of the other two versions. The New World Quartet seem to aim somewhere between the Tokyo and the Melos, but only rarely does their performance approach either in conviction. The closing pages of the finale are quite gripping, but too often there's a studied feeling about their expression, particularly so in the trio of the Scherzo—and the lack of polish at the climax of the Andante is temporarily unsettling; the recording is rather dry. As for the Keller (not the old Keller Quartet who recorded Bruckner for Oryx in 1970, but a new group founded in 1986), they sound more reticent than any of their competitors, and despite good ideas, the lack of communicated intensity gives stretches of the work a debilitated quality—especially so in parts of the Andante.
In the final reckoning, I don't feel that either the Tokyo or the Melos are strong enough to supplant either the intensely dramatic Lindsay Quartet on ASV or the more aristocratic Quartetto Italiano (Philips)—a generous and very satisfactory mid-price disc. And then there's the 1936 Busch version on EMI, coupled with what is still by far the finest version of the great G major Quartet—that has to be my final recommendation.'
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