Three Tenors
View record and artist detailsRecord and Artist Details
Composer or Director: Jules (Emile Frédéric) Massenet, Giacomo Puccini, Alexander Borodin, Amy Woodforde-Finden, Wolfgang Amadeus Mozart, Friedrich (Adolf Ferdinand) von Flotow, Richard Wagner, Ruggiero Leoncavallo, George H. Clutsam, Richard Strauss, Gaetano Donizetti, Pietro Mascagni, Giuseppe Verdi, Charles-François Gounod
Label: Claremont
Magazine Review Date: 5/1994
Media Format: CD or Download
Media Runtime: 67
Mastering:
Mono
Acoustic
ADD
Catalogue Number: CDGSE78-50-52
Tracks:
Composition | Artist Credit |
---|---|
(La) Bohème, 'Bohemian Life', Movement: Che gelida manina |
Giacomo Puccini, Composer
(Anonymous) Orchestra Christopher Nicholls, Conductor Enrico Caruso, Tenor Giacomo Puccini, Composer |
Cavalleria rusticana, Movement: Prelude |
Pietro Mascagni, Composer
Aylmer Buesst, Conductor British National Opera Company Orchestra Enrico Caruso, Tenor Pietro Mascagni, Composer |
Cavalleria rusticana, Movement: O Lola ch'ai di latti fior di spino (Siciliana) |
Pietro Mascagni, Composer
Aylmer Buesst, Conductor British National Opera Company Orchestra Enrico Caruso, Tenor Pietro Mascagni, Composer |
Élégie |
Jules (Emile Frédéric) Massenet, Composer
Enrico Caruso, Tenor Jules (Emile Frédéric) Massenet, Composer Mischa Elman, Violin Percy Kahn, Piano |
Rigoletto, Movement: ~ |
Giuseppe Verdi, Composer
(Anonymous) Orchestra Amelita Galli-Curci, Soprano Enrico Caruso, Tenor Flora Perini, Mezzo soprano Giuseppe De Luca, Baritone Giuseppe Verdi, Composer Walter B. Rogers, Conductor |
Pagliacci, 'Players', Movement: ~ |
Ruggiero Leoncavallo, Composer
(Anonymous) Orchestra Enrico Caruso, Tenor Ruggiero Leoncavallo, Composer |
Martha, Movement: ~ |
Friedrich (Adolf Ferdinand) von Flotow, Composer
(Anonymous) Orchestra Enrico Caruso, Tenor Friedrich (Adolf Ferdinand) von Flotow, Composer |
(L')Elisir d'amore, 'Elixir of Love', Movement: Una furtiva lagrima |
Gaetano Donizetti, Composer
(Anonymous) Orchestra Gaetano Donizetti, Composer Richard Crooks, Tenor Wilfrid Pelletier, Conductor |
Don Giovanni, Movement: Il mio tesoro |
Wolfgang Amadeus Mozart, Composer
(Anonymous) Orchestra Richard Crooks, Tenor Wilfrid Pelletier, Conductor Wolfgang Amadeus Mozart, Composer |
Manon, Movement: ~ |
Jules (Emile Frédéric) Massenet, Composer
(Anonymous) Orchestra Jules (Emile Frédéric) Massenet, Composer Nathaniel Shilkret, Conductor Richard Crooks, Tenor |
(Die) Meistersinger von Nürnberg, '(The) Masters, Movement: Morgenlich leuchtend (Prize Song) |
Richard Wagner, Composer
(Anonymous) Orchestra Richard Crooks, Tenor Richard Wagner, Composer Rosario Bourdon, Conductor |
Tosca, Movement: Recondita armonia |
Giacomo Puccini, Composer
Berlin State Opera Orchestra Clemens Schmalstich, Conductor Giacomo Puccini, Composer Richard Crooks, Tenor |
Lohengrin, Movement: In fernem Land |
Richard Wagner, Composer
(Anonymous) Orchestra Lawrance Collingwood, Conductor Richard Wagner, Composer Walter Widdop, Tenor |
Prince Igor, Movement: Daylight is fading (Vladimir's Aria) |
Alexander Borodin, Composer
(Anonymous) Orchestra Alexander Borodin, Composer Lawrance Collingwood, Conductor Walter Widdop, Tenor |
(La) Reine de Saba |
Charles-François Gounod, Composer
Charles-François Gounod, Composer |
(A) Request |
Amy Woodforde-Finden, Composer
Amy Woodforde-Finden, Composer Percy Kahn, Piano Walter Widdop, Tenor |
I know of two bright eyes |
George H. Clutsam, Composer
George H. Clutsam, Composer Percy Kahn, Piano Walter Widdop, Tenor |
(3) Lieder, Movement: No. 1, Traum durch die Dämmerung |
Richard Strauss, Composer
Josephine Lee, Piano Richard Strauss, Composer Walter Widdop, Tenor |
Author:
Now, what the title information does not reveal is that we also have here, in a sense, four new Carusos. I must explain the 'sense'. The Siciliana has been put into context: the old Columbia set of Cavalleria rusticana under Alwyn Buesst is here taken out of storage and Caruso's solo inserted with the rest of the orchestral Prelude on either side of it. A new harp accompaniment has been dubbed in. Don't condemn without hearing! The same must be said for the ''Che gelida manina'', which acquires a new orchestra. In my view, this does a genuinely useful job. The Boheme aria has never ranked among my favourite Carusos, but hearing it with the voice placed against an orchestra which has a proper share in the proceedings reveals what imagination had failed to do: that the idiosyncrasies of the performance make much better sense when heard (comparatively of course) as in the opera house. It is a much more attractive performance than had previously appeared, and this recording has been a genuine aid to appreciation. I can't say that the cello brought in to help matters in the Rigoletto Quartet has provided comparable enlightenment.
With the third of the tenors, Richard Crooks, one observation is how much at his best he is in the Prize song from Die Meistersinger. Much is graceful and well-turned in his ''Una furtiva lagrima'' and ''Il mio tesoro'' (unissued in the UK), but the open tone and open vowel production in the danger areas is disquieting. The copies used are a bit crackly; fine Widdops, however.'
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