Verdi Opera Choruses
View record and artist detailsRecord and Artist Details
Composer or Director: Giuseppe Verdi
Label: DG
Magazine Review Date: 2/1985
Media Format: CD or Download
Media Runtime: 0
Catalogue Number: 413 448-2GH

Tracks:
Composition | Artist Credit |
---|---|
Nabucco, Movement: Gli arredi festivi |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Nabucco, Movement: Va pensiero, sull'ali dorata |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
(Il) trovatore, Movement: ~ |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Otello, Movement: Fuoco di gioia! |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Ernani, Movement: ~ |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Aida, Movement: ~ |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Macbeth, Movement: Patria oppressa! |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
(I) Lombardi alla prima crociata, Movement: Gerusalem! |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
(I) Lombardi alla prima crociata, Movement: O Signore, del tetto natio (Chorus) |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Don Carlo, Movement: Spuntato ecco il dì d'esultanza |
Giuseppe Verdi, Composer
Claudio Abbado, Conductor Giuseppe Verdi, Composer Milan La Scala Chorus Milan La Scala Orchestra |
Author: Edward Greenfield
This was Abbado's first recording with the company of La Scala after he had taken over as Music Director, and both the choice of choruses and the performances could hardly be bettered. It may be a snag that the extra definition of CD brings out more clearly the shortcomings of the analogue recording, notably the distant placing of the chorus. So choral pianissimos are rather dim, while fortissimos leap forward with fierceness. Words are disappointingly unclear at all levels. The fairly reverberant acoustic yet makes the overall sound pleasantly atmospheric.'
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