Verdi Rigoletto

Record and Artist Details

Composer or Director: Giuseppe Verdi

Genre:

Opera

Label: Opera Series

Media Format: Cassette

Media Runtime: 0

Mastering:

ADD

Catalogue Number: GK86506

Tracks:

Composition Artist Credit
Rigoletto Giuseppe Verdi, Composer
Alfredo Kraus, Duke, Tenor
Anna di Stasia, Giovanna, Soprano
Anna Moffo, Gilda, Soprano
Corinna Vozza, Countess Ceprano, Mezzo soprano
David Ward, Monterone, Bass
Enzo Titta, Usher, Bass
Ezio Flagello, Sparafucile, Bass
Georg Solti, Conductor
Giuseppe Verdi, Composer
Mario Rinaudo, Count Ceprano, Bass
Piero de Palma, Borsa, Tenor
RCA Italiana Opera Chorus
RCA Italiana Opera Orchestra
Robert Kerns, Marullo, Baritone
Robert Merrill, Rigoletto, Baritone
Rosalind Elias, Maddalena, Contralto (Female alto)
Tina Toscano, Page, Mezzo soprano

Composer or Director: Giuseppe Verdi

Genre:

Opera

Label: Opera Series

Media Format: CD or Download

Media Runtime: 0

Mastering:

ADD

Catalogue Number: GD86506

Tracks:

Composition Artist Credit
Rigoletto Giuseppe Verdi, Composer
Alfredo Kraus, Duke, Tenor
Anna di Stasia, Giovanna, Soprano
Anna Moffo, Gilda, Soprano
Corinna Vozza, Countess Ceprano, Mezzo soprano
David Ward, Monterone, Bass
Enzo Titta, Usher, Bass
Ezio Flagello, Sparafucile, Bass
Georg Solti, Conductor
Giuseppe Verdi, Composer
Mario Rinaudo, Count Ceprano, Bass
Piero de Palma, Borsa, Tenor
RCA Italiana Opera Chorus
RCA Italiana Opera Orchestra
Robert Kerns, Marullo, Baritone
Robert Merrill, Rigoletto, Baritone
Rosalind Elias, Maddalena, Contralto (Female alto)
Tina Toscano, Page, Mezzo soprano
This has always been a competitive set, and it remains so at mid price on CD. Solti may drive hard at times but there's no doubting the vivid, histrionic quality of his conducting. Alfredo Kraus, as RO commented on this set's last LP appearance, is a ''fine, fiery Duke'', in every way distinguished; he is certainly preferable to his older self elsewhere. Merrill isn't such a compelling artist but he is a strong honest interpreter of the role, who never does much wrong without quite impressing himself on the mind's eye and ear as does Gobbi for Serafin (EMI). Moffo is quite a touching Gilda, but not so individual, to say the least, as Callas (Serafin) or indeed Cotrubas (Giulini on DG), and vocally Sutherland's inferior (Bonynge on Decca), but in some ways her simple reading of the role is preferable to any of these. Support is variable.
This set is not only complete but also gives the score exactly as Verdi wrote it, which allows us to hear Verdi's cadenzas rather than nineteenth- century amendments. The recording is rather boomy and blatant. In absolute terms I couldn't recommend this above the full-price Serafin, Giulini or indeed Sinopoli (Philips) versions, but for a bargain it has much to offer.'

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