Reviews
VINE Aphorisms
It seems short-sighted for an emerging piano talent such as Lindsay Garritson to bring out a new CD without including...
Lindsay Garritson
Reviewed by Jed Distler in issue: 04/2020
MORAVEC Sanctuary Road
The subject of Paul Moravec’s oratorio Sanctuary Road is William Still (1821-1902), one of the main activists running the Underground...
Naxos
Reviewed by Guy Rickards in issue: 04/2020
LENTZ Ending(s)
There’s no need to pigeonhole Daniel Lentz’s compositional aesthetic. He has traversed an array of styles throughout his productive career,...
New World
Reviewed by Donald Rosenberg in issue: 04/2020
Brahms in Transcription (Uriel Tsachor)
During December 1914 and January 1915 Max Reger transcribed five Brahms symphonic slow movements for solo piano, which he deemed...
MSR Classics
Reviewed by Jed Distler in issue: 04/2020
JS BACH Sonatas and Partitas for Solo Violin (Tomás Cotik)
On this two-disc set of Bach’s Solo Sonatas and Partitas, Tomás Cotik’s deeply analytical playing adds to an exhilarating display...
Centaur
Reviewed by Laurence Vittes in issue: 04/2020
Peter Nekoranec: French Arias
Already the winner of multiple prizes, as well as a member of Oper Stuttgart’s ensemble, the 26-year-old Czech tenor Petr...
Supraphon
Reviewed by Hugo Shirley in issue: 04/2020
Chantal Santon Jeffery: Brillez, astres nouveaux!
The conductor György Vashegyi and the soprano Chantal Santon-Jeffery are no strangers to Rameau. They appear together on Naïs (Glossa,...
Aparte
Reviewed by Richard Lawrence in issue: 04/2020
VERDI "Traviata - Vous méritez un avenir meilleur"
La traviata has surely been subjected to as many directorial rethinkings as any opera in the repertoire, with Peter Konwitschny’s...
Bel Air Classiques
Reviewed by Hugo Shirley in issue: 04/2020
THOMAS Hamlet (Langrée)
Staged at the Opéra-Comique to mark the 150th anniversary of its premiere in the slightly grander setting of the Opéra,...
Naxos
Reviewed by Tim Ashley in issue: 04/2020
ROSSINI Zelmira (Gelmetti)
There is a sense in which Zelmira, the last of Rossini’s Neapolitan operas, premiered in February 1822, is an elegantly...
Naxos
Reviewed by Richard Osborne in issue: 04/2020
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