By its very nature, no Top 10 list could hope to include all of the wonderful recordings of Ravel's music that we have available to us today. But here is a selection of 10 outstanding recordings that are sure to offer many hours of listening pleasure. There is a mix of classic recordings (Crespin's Shéhérazade from 1963, Boulez's 1974 Boléro) and very recent releases (Roth's Daphnis et Chloé from last year) so there should be something new and interesting to discover for even long-time Ravel lovers.
New York PO / Pierre Boulez
The top choice in Philip Clark's 2010 Gramophone Collection article surveying all of the important recordings of Ravel's most famous work. Clark concluded: 'Boulez’s forensic 1974 performance delves deeper than any other into Ravel’s sleight-of-orchestral-hand and layerings of harmony – a probing shaft of light into Boléro’s inventive, one-off weirdnesses.'
Gramophone's Recording of the Year in 2009, Quatuor Ebène's album also includes quartets by Debussy and Fauré. Critic Rob Cowan noted that 'There’s a fluidity to the Ebène’s playing of both works that suits the music’s character, a mood of wistfulness too that the Ravel especially benefits from. This improvisatory approach is hardly surprising from an ensemble that is also celebrated for its jazz performances.'
Krystian Zimerman pf Cleveland Orchestra / Pierre Boulez
Winner of a Gramophone Award in 1999, Zimerman and Boulez are an unstoppable combination in this music. Our original reviewer, David Fanning, placed the recording in context: 'In the G major Concerto I’ll still turn happily to Argerich for mischief and abandon, and to Michelangeli for breathtaking eloquence in the slow movement. For the Left-Hand Concerto I admire the suavity and ravishing textures of Louis Lortie. Zimerman’s phenomenal pianism sets its own agenda and brings its own rich rewards; he has a place of honour in that exalted company.'
Bertrand Chamayou pf
The first of two discs dedicated to Ravel's complete solo piano music in this list, Bertrand Chamayou's album for Erato was shortlisted for a Gramophone Award in 2016 and our critic, Patrick Rucker, was full of praise: 'Superlative Ravel seems almost in abundance these days – think Bavouzet, Thibaudet, Queffélec or Lortie. But for my ears, Chamayou brings everything home in a way that is deeply personal, vivid, unique. No one who loves French music or exquisite piano-playing will want to miss this.'
Jean-Yves Thibaudet pf
Jean-Yves Thibaudet's album was critic Bryce Morrison's top choice in his 2008 Gramophone Collection article surveying recordings of Ravel's complete piano music. When he originally reviewed the album in 1992, Morrison usefully summed up what he saw as the (then) competition on record: 'No Ravel piano collection would be complete without a Gaspard from Argerich (DG, 12/87), Pogorelich (DG, 11/84), Gavrilov (EMI, 4/88), Ashkenazy (Decca, 6/85) and Nojima (Reference, 10/90) and, dividing the issue still further, the ''Prelude'' and ''Toccata'' from Le tombeau de Couperin from Casadesus (Sony Classical) and Gilels (Olympia, 11/88) respectively. Gilels's deleted New York Carnegie Hall recital performances of Jeux d'eau and the Pavane on RCA are also instances of a great Russian pianist's sympathy for the French idiom. All these, together with Thibaudet's discs, represent the creme de la creme.'
Benjamin Grosvenor pf
Winner in the Instrumental category at the 2012 Gramophone Awards, Benjamin Grosvenor's debut album for Decca was highly auspicious. Jeremy Nicholas wrote that the album offered a 'masterly Gaspard in which an astonishing array of touch and tonal colouring are brought to bear in Grosvenor’s vivid, distinctly defined characterisation of all three movements.'
Alina Ibragimova vn Cédric Tiberghien pf
An Editor's Choice recording in 2011, Ibragimova and Tiberghien paired Ravel's complete works for violin and piano with Lekeu's Violin Sonata. Gramophone's Duncan Druce labelled the Hyperion release a 'must-hear recital'.
Les Siècles & Ensemble Aedes / François-Xavier Roth
Released just last year, this is a modern, period-instrument, alternative to Pierre Monteux's 1959 classic recording which seeks to evoke the soundworld of the 1912 Paris premiere performance. In his review, Mark Pullinger noted: 'François-Xavier Roth teases a much more expansive opening than Monteux, a slow burn leading to an ecstatic first choral entry. He is often more languorous, the performance nearly four minutes slower than the Decca account. However, Roth attacks the ‘Danse guerrière’ with more vim and also whips up a faster bacchanalian finale. With fine choral contributions from the Ensemble Aedes, this new recording is highly recommended.'
Régine Crespin; Suisse Romande Orchestra / Ernest Ansermet
Sultry, languorous yet sung with a richness of tone, this is classic version of this ravishing work, coupled here with Berlioz's Les nuits d'été. Ansermet accompanies exquisitely.
Sols; Glyndebourne Chorus; London Philharmonic Orchestra / Kazushi Ono
(FRA Musica DVD)
Winner of Gramophone's Opera Award in 2014, this DVD double-bill of Ravel operas from Glyndebourne is directed by Laurent Pelly and delivers 'enormous pleasure', according to Gramophone's critic Richard Lawrence.