Cleveland International Piano Competition: Finding The Piano World’s Future Leaders
- Friday, July 26, 2024
This Sunday, July 28, one of America’s great piano competitions gets underway - don't miss it!
This Sunday, July 28, one of America’s great piano competitions gets underway - don't miss it!
Follow Dalia Stasevska's mixtape project with a new podcast as each new track is released
Perfoming 'Domine ad adjuvandum', this is an extract from a full concert by Ex Cathedra which is part of this year's LIVE From London Summer festival
The Swedish ensemble perform as part of this year's 'LIVE from London' Summer festival
Editor Martin Cullingford introduces the August issue of Gramophone, featuring interviews with Joana Mallwitz and Leonard Slatkin
This month we feature outstanding new recordings from Konstantin Krimmel, Rebeca Omordia, Paavo Järvi and Gustavo Dudamel
As her recording of Kurt Weill symphonies, her first album for DG, is about to be released, conductor Joana Mallwitz speaks with Richard Bratby
Charles Ives evoked his country like few others, and to mark 150 years since his birth, Andrew Farach-Colton delves into the life and music of this most unconventional figure
Beethoven’s penultimate piano sonata stands among the finest achievements of his later years. Charles Timbrell makes a personal selection from its substantial discography
Conductor Manfred Honeck talks to David Patrick Stearns about unravelling the meaning behind Bruckner’s Seventh Symphony
Starting out as a pianist, Thea King eventually became a renowned clarinettist – a devoted champion of the instrument –who left a rich legacy on record, writes Mark Pullinger
The nation’s best-known classicist rediscovered classical music in her thirties, when exploring re‑workings of ancient myth
He’s turning 80 with at least 220 premieres to look back on, but Leonard Slatkin has a good deal more on his agenda than simply reminiscing about past achievements, finds Thomas May
The Artistic Director of the London Philharmonic, Elena Dubinets talks to James Jolly about her plans for the future, and how working with UK and US ensembles differ
Richard Whitehouse explores the vast and varied output of a versatile, inventive and ultimately fearless British composer
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